Author Archives: Roger Moore

Just the trailer for this January release is gonzo enough to make me stop typing and put in a call to Oscilloscope Laboratories to be sure to get a screener of this one. Got it! My review of “The Road … Continue reading →

God help me, but I found the climax to “Insidious: The Last Key” to be quite moving. For a horror sequel, anyway. Sequel-prequel in this case. Sure, much of what’s come before that, an hour and 40ish minutes of backstory, … Continue reading →

The WGA Nominations can be expected to honor movies (and TV series, movies, etc.) that have a writerly quality — to the dialogue, intricate story structure, character construction. So while there are some glaring omissions, putting “Get Out,” “Lady Bird,” … Continue reading →

It was hard to root for Tonya Harding back when the blue collar “redneck” skater was battling the petite princesses of figure skating in the late ’80s and early ’90s. She was more “girl next door” than her prettier contemporaries, … Continue reading →

Begin with first principles. Dito Montiel is America’s Uwe Boll, an inexplicable phenomenon who continues to work, always gets distribution for his movies, seems to hypnotize big names into making those movies, ensuring that distribution comes to pass. And the … Continue reading →

Let’s start the new year with a few low-budget laughs at the expense of the zeitgeist, shall we? “Crazy Famous” is another “wacky gang from the mental hospital” fish out of water comedy in the “Dream Team” mold. And even … Continue reading →

A very good Friday suggests that “Star Wars: The Last Jedi,” could hit $55 million on this, its third weekend in theaters, big bucks which could make 2017 an $11 billion+ year in ticket sales, according to Deadline.com.  That would … Continue reading →

Let’s get this out of the way right out the gate. The Best Films of 2017 are “Dunkirk,” “The Florida Project,” “Three Billboards Outside Ebbing, Missouri,” “Lady Bird” and “Brad’s Status.” Yeah, “The Disaster Artist” can be in that conversation, … Continue reading →

The “biggest movie hit of 2017, as of this typing, is not “Wonder Woman,” the film phenomenon of the early summer, but a film that opened in March. “Wonder Woman” owned the summer, taking over $412 million, rewarding Warner Brothers … Continue reading →