Author Archives: Roger Moore

A dogmatic Orthodox with a capital “O” community, an estranged daughter back to bury her father, an old romance within the confines of what the Brits used to call “the love that dare not speak its name.” It looks and … Continue reading →

An accident of timing puts “Submission” into theaters just as the American sexual harassment reckoning hits peak outrage. And for those looking for the bits and pieces that add up to “blowback,” it makes a convenient cinematic starting point. The … Continue reading →

Early Sat. AM projections are always iffy, especially from these guys, especially when it comes to kiddie pictures. So that early start that suggested “Fifty Shades Freed” would do oh, half what the best of the “Shades” pictures did on … Continue reading →

Some of us are leery of letting valets park our cars. Because, you know, they’re careless. They scratch and dent. They rummage through your glove compartment. Or they take the car to your home address, use your keys and steal … Continue reading →

A paranoid schizophrenic (Quinto) tells his shrink (Jenny Slate) that he’s anxious about his brother (Jon Hamm) returning to town. The brother meets the shrink expressing concern for his disturbed sibling. And as the shrink is played by Jenny Slate … Continue reading →

STX and a bunch of Chinese money are gambling that Amy Schumer’s connection to every woman who isn’t a size 4 is huge and that “Trainwreck” was no fluke. Here’s another Schumer comedy in which she owns who she is, … Continue reading →

Those wags at Aardman, the British animation studio which uses artists and clay and a lot of patience to make funny movies, visit the ancient history of the human race and of “the beautiful game” for their latest, “Early Man.” … Continue reading →

  Antic, manic and stuffed up to its ears with cuddly, realistically animated critters, sing-along pop hits and slapstick violence, there’s no reason every child at around age four would not adore the new “Peter Rabbit.” And there’s little to … Continue reading →

We still call them “combat photographers,” even though the more exact term these days is “conflict photographers.” The dangers they face are broader, the conflicts murkier than mere “wars.” But to master the craft, the risks are the same. “You … Continue reading →

Stop motion clay-model animation is one of my favorite genres, and the Brits at Aardman are the undisputed masters of it. Their twee little kiddie films have a visual cleverness and richness that gives adults something to marvel over and … Continue reading →