Tag Archives: Reviews

Movie Review: A New Yorker widowed by a Police Shooting seeks Justice in “Aftershock: The Nicole P. Bell Story”

Posted on November 20, 2025 by Roger Moore

An infamous police shooting leads to trials and a search for justice that doesn’t end in a courtroom in “Aftershock” The Nicole P. Bell Story.” It’s a sturdy, often moving fil built aroud Rayven Symone Ferrell’s affecting performance in the … Continue reading →

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Documentary Review: Australia’s Oscar hopes rely on Mongolians who know “The Wolves Always Come at Night”

Posted on November 19, 2025 by Roger Moore

“The Wolves Always Come at Night” is an evocative immersion in a dying way of life, that of nomadic Mongolian goat, horse and cattle herders. Gabrielle Brady’s documentary captures the stark beauty of the treeless brownscape of the Mongolian steppes, … Continue reading →

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Movie Review: A Mother’s Past and Present Blur “When Fall is Coming”

Posted on November 18, 2025 by Roger Moore

François Ozon has to be the French cinema’s premier poker player. With his genre-bending/expectations-upending dramas (“Everything Went Fine”), dramedies (“In the House”), feminist comedies (“Potiche”) and musical drama mysteries (“8 Women”), you’d hate to be seated at the same table … Continue reading →

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Netflixable? “Being Eddie” is how Murphy wants you to See Him

Posted on November 15, 2025 by Roger Moore

Eddie Murphy has a lot to be satisfied with. A gifted mimic turned overnight stand-up star, famous since his teen years on “Saturday Night Live,” a ground-breaking African American superstar of the screen, for decades one of the biggest box … Continue reading →

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BOX OFFICE: “Now You See Me” out sprints “Running Man,” “Predator Badlands” drops to third

Posted on November 15, 2025 by Roger Moore

A franchise revival, a remake and a big sci-fi/monster holdover walk into a bar… This weekend’s box office isn’t one for the record books, as nothing is making Marvel/Pixar/”Avatar” money in a $12-$20 ticket environment. But it does show why … Continue reading →

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Classic Film Review: Lesser Lubitsch, a “Heaven Can Wait” (1943) that Bores

Posted on November 13, 2025 by Roger Moore

When we think of the Hollywood comedies by the great German expat Ernst Lubitsch, we remember Garbo at her drollest, a Bolshevik who falls in love in “Ninotchka,” the doors-slamming-on-Nazis backstage farce “To Be or Not to Be” and the … Continue reading →

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Movie Review: Dolph and Michael Jai White roll their eyes at the Dork who says he’s “the best” — “Exit Protocol”

Posted on November 9, 2025 by Roger Moore

You’d think these sorts of things would be figured out at a table read, if not in the audition. Give your leading man his pages, make him read some of the fifth rate Raymond Chandler “tough guy” voice-over narration you … Continue reading →

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BOX OFFICE: Elle Fanning and “Predator: Badlands” open big, “Nuremberg,” “Sarah’s Oil,””Christy” and “Die My Love” not so much

Posted on November 8, 2025 by Roger Moore

Adding the dismembered android upper half of Elle Fanning to the ancient but not-quite-played-out “Predator” franchise is paying off as it rolled up some $14 million+ Thursday night and Friday, on its way to a $40 million opening weekend. Deadline.com … Continue reading →

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Movie Review: Why pull the trigger when “The Old Woman with the Knife” is available?

Posted on November 4, 2025 by Roger Moore

“The Old Woman with the Knife” is a Korean variation on the World of Assassins tale, where killing for hire is a business with professionals assigned out of offices and following “rules.” It’s another story of an aged killer competing … Continue reading →

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Movie Review: Every Heist needs “The Mastermind” to Plan It

Posted on October 31, 2025 by Roger Moore

Grey skies, a “cool jazz” score and sketchy characters are selling points of “The Mastermind,” a ’70s period piece infused with the “grit” aficionados associate with the films of that benighted decade. It looks the way fall thrillers, even dryly … Continue reading →

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