Tag Archives: film

Movie Review: A Torch and a Card Trick are passed to a new Generation — “Now You See Me: Now You Don’t”

Posted on November 14, 2025 by Roger Moore

It helps to think of the “Now You See Me” film franchise as a manga that dodged the whole anime series then anime movie “product” assembly line. “Now You See Me: Now You Don’t” brought on that epiphany. Revived a … Continue reading →

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Movie Review: “The Running Man” Stumbles into a Dead End

Posted on November 14, 2025 by Roger Moore

About thirty minutes into the Glen Powell/Edgar Wright remake of “The Running Man” I thought “This is kind of working.” I invested in this updating of Stephen King’s dytopian sci-fi horror for the age of ICE, fascism and murderously amoral … Continue reading →

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Classic Film Review: Lesser Lubitsch, a “Heaven Can Wait” (1943) that Bores

Posted on November 13, 2025 by Roger Moore

When we think of the Hollywood comedies by the great German expat Ernst Lubitsch, we remember Garbo at her drollest, a Bolshevik who falls in love in “Ninotchka,” the doors-slamming-on-Nazis backstage farce “To Be or Not to Be” and the … Continue reading →

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Movie Review: Exiled Man and Woman wrestle with their Pasts on “The Silent Planet”

Posted on November 12, 2025 by Roger Moore

“The Silent Planet” is a sci-fi allegory that attempts to take the pulse of the human condition in our current, fear-immigrants moment and doesn’t quite come off. One can appreciate the cleverness of seeing The Tablelands in Canada’s Gros Morne … Continue reading →

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Netflixable? Guillermo del Toro and Mary Shelley’s “Frankenstein”

Posted on November 10, 2025 by Roger Moore

Guillermo del Toro’s “Frankenstein” is Gothic horror rendered in the grandest strokes. The expansive, baroque settings are grandeur incarnate, with grandiose performances pitched to fill every pixel of the Grand Guignol frame that the scarlet, grey and gloomy green backdrops … Continue reading →

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Movie Review: Dolph and Michael Jai White roll their eyes at the Dork who says he’s “the best” — “Exit Protocol”

Posted on November 9, 2025 by Roger Moore

You’d think these sorts of things would be figured out at a table read, if not in the audition. Give your leading man his pages, make him read some of the fifth rate Raymond Chandler “tough guy” voice-over narration you … Continue reading →

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Documentary Review: A “Caterpillar” figures a change in Eye Color will Make him a Butterfly

Posted on November 7, 2025 by Roger Moore

“Caterpillar” presents itself as a gay man’s documentary journey of self-discovery, when it’s really about body dysphoria/dysmorphia and faddish cosmetic surgery taken to its extreme. David Taylor, a Miami hairdresser is biracial, wrestling with a troubled childhood, acceptance and obsessive … Continue reading →

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Movie Review: Postpartum as Improv Exercise — “Die My Love”

Posted on November 7, 2025 by Roger Moore

Most movies come to you, but challenging ones make you come to them. Even when they’re assaulting you in your seat, they demand your attention, understanding and interpretation to come off. “Die My Love” is a broken romance and deep … Continue reading →

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Movie Review: Yorgos and Emma and Jesse, lost in “Bugonia”

Posted on October 31, 2025 by Roger Moore

The latest from the challenging and celebrated filmmaker Yorgos Lanthimos might be his most on point satire yet. The director of “The Favorite” and “Poor Things” addresses the intellectual disconnect of modern discourse, the impatient and sometimes brusque way the … Continue reading →

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Movie Review: Wahlberg, Key, Lakeith and Shalhoub “Play Dirty” in Shane Black-land

Posted on October 27, 2025 by Roger Moore

Shane Black? Glib one-liners and glib gunplay? Bigger and bigger action, with a bigger and bigger bodycounts? The actor turned writer and writer-director who peaked with “Kiss Kiss, Bang Bang,” made his way to a “comeback” with “The Nice Guys” … Continue reading →

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