Tag Archives: film

Documentary Review — “John Candy: I Like Me”

Posted on October 10, 2025 by Roger Moore

Friends, acquaintances and fans still get choked up when the subject of the late Canadian comic wonder John Candy comes up. I’d be talking to Richard Lewis or Ron Howard or Hanks or somebody who worked with Candy and out … Continue reading →

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Netflixable? Who’s a Good (Brazilian) Boy? “Caramelo”

Posted on October 10, 2025 by Roger Moore

“Caramelo” is a boy-and-his-dog-tale that’s as adorable as it is sentimental and predictable. Writer-direector Diego Freitas serves up a near perfectly executed São Paulo story of a mischievous stray, a young chef and the ways they connect when one of … Continue reading →

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Movie Review: Faithful to the End, and Beyond — Who’s a “Good Boy?”

Posted on October 8, 2025 by Roger Moore

“Good Boy” is elemental horror — a tale of a sick man under natural and supernatural assault — and his dog. And the marvel of this movie is the performance by that real live dog. Director Ben Leonberg picked up … Continue reading →

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BOX OFFICE:  Taylor Swift” goes “Showgirl,” scores a $30 million+ weekend — The Rock’s “Smashing Machine” Smashes his Oscar Hopes

Posted on October 4, 2025 by Roger Moore

A documentary about the making of her album “The Life of a Showgirl” makes Taylor Swift the queen of the box office on the first weekend of October, celebrating the record’s blockbuster release with a box office smash as a … Continue reading →

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Movie Review: McConaughey, Ferrara and Greengrass rally around “The Lost Bus”

Posted on September 29, 2025 by Roger Moore

Paul Greengrass, one of the last and greatest of the cinema’s action auteurs, stages, shoots and edits the hell out of “The Lost Bus,” turning a conventional enough “true story” of children trapped on a schoolbus in a raging wildfire … Continue reading →

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BOX OFFICE: “One Battle” battles to the top, “Gabby’s Dollhouse” moves in next door

Posted on September 27, 2025 by Roger Moore

Paul Thomas Anderson’s “One Battle After Another” is bursting onto screens with a flourish, taking in over $22.4 million on its opening weekend. Early projections were for a $25 million opening, and a $3 million Thursday night pushing the Friday … Continue reading →

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Netflixable? “Terror Comes Knocking: The Marcela Borges Story”

Posted on September 22, 2025 by Roger Moore

The stakes could not be higher. The sneering gang of armed men burst into the house, punch and abuse the inhabitants and ransack the place looking for “the money.” The husband is bloodied and the pregnant wife slapped around, all … Continue reading →

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Movie Review: Widower Timothy Spall crosses Britain on “The Last Bus”

Posted on September 21, 2025 by Roger Moore

The first impression Timothy Spall made on film fans was when he played a plump, delusional, somewhat daft chef in Mike Leigh’s quirky slice-of-working-class dream, “Life is Sweet.” Restaurateur Aubrey thought putting boiled bacon consumme, prune quiche and pork cyst … Continue reading →

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BOX OFFICE: “Him” Underwhelms, “Big Bold Beautiful” bombs, “Demon Slayer” slays by default

Posted on September 20, 2025 by Roger Moore

Late September turns out to be a pretty bad time to send a football-bashing body horror thriller out into the world. “Him” stars Marlon Wayans, Tyriq Withers and Julia Fox, and is wearing the “producd by Jordan Peele” badge of … Continue reading →

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Movie Review: A Dark Night of “La Dolce Vita” — “Finally Dawn”

Posted on September 18, 2025 by Roger Moore

Federico Fellini cast a jaded, bemused eye on the postwar Italian decadence and indulgence with “La Dolce Vita,” a cinema classic about a generation just removed from decades of fascism and war partying, reveling in paparazzo-pursued celebrity and an internationally … Continue reading →

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