Tag Archives: film

Movie Review: Luca Guadagnino and Daniel Craig bring Burroughs’ “Queer” to the screen

Posted on December 10, 2024 by Roger Moore

There have been worthy big screen interpretations of the Beat Generation icon William S. Burroughs over the years. Kieffer Sutherland played him in “Beat.” Peter Weller took on Burroughs’ alter ego (and pen name) “Bill Lee” in David Cronenberg’s celebrated … Continue reading →

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Movie Review: Baldwin, Terrence Howard and Esai Morales are trapped in the quagmire of “Crescent City”

Posted on December 10, 2024 by Roger Moore

A suspect is getting grilled by three cops, played by movie stars. At one point, the biggest star of them all, Alec Baldwin, blurts out “Need I remind you you’re under OATH?” No, the director didn’t shout “Cut!” No, the … Continue reading →

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Classic Film Review: John Ford takes the rep company, and no “stars,” to Monument Valley for “Wagon Master” (1950)

Posted on December 9, 2024 by Roger Moore

“Wagon Master” was perhaps the truest test of the concept of “star director” of John Ford’s career. The iconic Irishman who came to America and made Westerns was finishing up his “cavalry trilogy (“Fort Apache,” “She Wore a Yellow Ribbon” … Continue reading →

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Movie Review: “Y2K,” back when the end was nigh

Posted on December 7, 2024 by Roger Moore

Why “Y2K?” Why now? Seriously, WTF, Gen Y and Kyle Mooney?  Films? LOLs? Not on your life, A24 Films. The ex-“SNL” player Mooney co-wrote, directed and co-stars in “Y2K,” a “horny teenager” comedy that aims to be a sort of … Continue reading →

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Movie Review: A Boxer readies Body and Soul for the “Day of the Fight”

Posted on December 4, 2024 by Roger Moore

“Day of the Fight” is a sentimental and soulful “fight picture,” a movie that follows a former champ through every bit of personal business he feels he has to take care of before his “comeback” that night. The actor-turned-director Jack … Continue reading →

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Classic Film Review: Hitchcock’s first take on the dainty and deadly “The Man Who Knew Too Much” (1934)

Posted on November 25, 2024 by Roger Moore

The earliest signs that the filmmaker would one day to be branded as “The Master of Suspense” in Alfred Hitchcock’s 1927 silent classic “The Lodger: A Story of the London Fog.” But it took the advent of sound, and several … Continue reading →

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Netflixable? Denzel’s sons open up August Wilson’s “The Piano Lesson”

Posted on November 24, 2024 by Roger Moore

Denzel Washington furthers his efforts to keep his promise to “do right by” the late, playwright August Wilson by producing another film of one of Wilson’s plays, this one he assigned to his sons, actor John David Washington to star … Continue reading →

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Movie Review: Kirkland Fan and would-be filmmaker makes the trek to “Sallywood”

Posted on November 23, 2024 by Roger Moore

A film buff meets his Hollywood idol and wins his dream job working for her in “Sallywood,” a lighthearted indie lampoon of show business, showbiz “types” and the indignities of “I used to be famous.” Sally Kirkland got her start … Continue reading →

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BOX OFFICE: “Wicked” opens wicked fierce, “Gladiator II” clears $55

Posted on November 23, 2024 by Roger Moore

I joked on social media that I was catching a Thursday preview of “Wicked” with a cinema full of “high school theater kids.” There were certainly a lot more of them — chatting, endorsing the Arianda Grande ole’ time — … Continue reading →

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Movie Review: Sex Worker “Anora” marries her “Whale”

Posted on November 18, 2024 by Roger Moore

Full disclosure, I ducked into “Anora” a couple of times, waiting for other movies to start, before finally setting aside the time to watch Sean Baker’s latest, start to finish. The tale of an American sex worker of Eastern European … Continue reading →

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