Tag Archives: film

Movie Review: Donnie Yen punches and kicks for justice as “The Prosecutor”

Posted on January 9, 2025 by Roger Moore

Martial arts icon Donnie Yen directs and stars in “The Prosecutor,” playing a two-fisted, idealistic Hong Kong cop turned prosecuting attorney. Some of the most fantastic fights in recent screen history, choreographed by Takahita Ouichi and Donnie Yen Stunt Team … Continue reading →

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Classic Film Review: Hopkins is “The Efficiency Expert,” but are Crowe, Collette and Mendelsohn getting the ax? (1991)

Posted on January 4, 2025 by Roger Moore

Three future stars from Down Under pop off the screen in “The Efficiency Expert,” a delicate, dated and yet timeless fish-out-of-water period piece set in Australia at the birth of the job-cutting “consultant” boom. Toni Collette, impressive and emotional in … Continue reading →

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Why Netflix is eating Amazon’s Lunch on Streaming

Posted on January 1, 2025 by Roger Moore

Netflix has 280 million subscribers, worldwide. People who pay for Netflix are paying for unlimited access to thousands of movies and series they watch. Amazon Prime, the online retail giant’s answer to Netflix, has 200 million “members” worldwide, but only … Continue reading →

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Classic Film Review: Danny Kaye goes Marxist as “The Inspector General” (1949)

Posted on December 27, 2024 by Roger Moore

How might a moviegoer in 1949 have responded to Danny Kaye in the musical version of Gogol’s “The Inspector General?” Watching it anew, my hot take is “It’s a Marx Bros. musical with Kaye trying to play all four Marx … Continue reading →

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Movie Review: Ladyboss has a taste for being dominated — “Babygirl”

Posted on December 26, 2024 by Roger Moore

Dutch actress-turned-director Halina Reijn’s “Babygirl” is an icy, clinical inversion of our idea of masochism and “abuse of power” in the workplace. The director of “Bodies, Bodies, Bodies” sets up Nicole Kidman as a “woman on top” at the office, … Continue reading →

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Movie Review: Bob the Bard in Epic strokes, Dylan as “A Complete Unknown”

Posted on December 25, 2024 by Roger Moore

Boyd Holbrook’s Johnny Cash out-cools, out-swaggers and out hell-raises future Nobel Prize winner Bob Dylan in Dylan’s own biopic. I wonder if “A Complete Unknown” director James Mangold ever winced and muttered “Damn” about who he originally cast to star … Continue reading →

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Movie Review: French couple constrained by the limits of “Just the Two of Us”

Posted on December 23, 2024 by Roger Moore

“Just the Two of Us” is a textbook domestic abuse melodrama, a French film with just enough mystery about it to make us wonder if it will transform into a thriller. Based on a novel by Éric Reinhardt, Valérie Donzelli’s … Continue reading →

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Movie Review: Jackie Chan, in the silly present, in the fantastical past “A Legend”

Posted on December 22, 2024 by Roger Moore

Let the record reflect that Jackie Chan is more limber, nimble and in better faux fighting trim at 70 than you are at 60, 35 or 20, “Boomer,” “Xer,” Millennial or what have you. Hong Kong’s king of martial arts … Continue reading →

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Classic Film Review: Chaplin’s ode to a Dying Corner of Comedy — “Limelight”

Posted on December 17, 2024 by Roger Moore

Memory is a merciful thing when it comes movies. We remember the grand moments in films, the signature bits, and much of what’s less moving, entertaining or important just drifts away. Charlie Chaplin had become Charles Chaplin long before “Limelight,” … Continue reading →

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Movie Review: When the End Comes, Survivalists rally around “Homestead”

Posted on December 16, 2024 by Roger Moore

By turns paranoid and pollyanna-ish, “Homestead” is a conservative Christian survivalist wish fulfillment fantasy about living through “The End.” The studio that brought us the controversial “Sound of Freedom” serves up an almost bipolar picture packed with MAGA virtue signaling … Continue reading →

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