Category Archives: Reviews, previews, profiles and movie news

Classic Film Review: Serious and Seldom Seen Sellers — “The Blockhouse” (1973)

Posted on March 27, 2025 by Roger Moore

Filmed on the whim of a liquor empire heir, a “true story” whose German Army WWII victims were changed to French and citizens of other occupied countries, “The Blockhouse” is one of the strangest titles in the later, quixotic career … Continue reading →

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Movie Review: All Cuisine’d up, “Waiting for Dalí “

Posted on March 26, 2025 by Roger Moore

The quality of twee is often strained, the Bard wryly noted. A tragedy, a comedy or even a romantic comedy is within the reach of some writers and screenwriters. But hitting that feather-weight sweet spot between droll and cute is … Continue reading →

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Netflixable? Crime and Christian Supernaturalism collide in Korea — “Revelations”

Posted on March 25, 2025 by Roger Moore

“Revelations,” the new thriller from the director of “Train to Busan” and “Peninsula,” has no zombies. But this collision of crime and punishment, Christianity and psychology is as suspenseful and satisfying as any thriller to come our way this year. … Continue reading →

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Movie Preview: Hildebrand and Abel, Cusack and Sorvino peek through the “Fog of War”

Posted on March 24, 2025 by Roger Moore

Brianna Hildebrand was one of the pretty young players on the periphery of the “Deadpool” franchise, and was featured in Netflix’s “Lucifer.” Jake Abel was in “Supernatural” and played Mike Love in the Brian Wilson biopic “Love & Mercy.” He … Continue reading →

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Movie Review: “Ed Kemper: The True Story of an American Psycho”

Posted on March 24, 2025 by Roger Moore

“Ed Kemper” is a serial killer portrait that’s as pitiless as it is artless. This feature film, no doubt inspired by Netflix’s “Mindhunter” series bringing attention to the “other” notorious mass murderer named “Ed” (“The Butcher of Plainfield” Ed Gein … Continue reading →

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Classic Film Review: Kingsley, Mirren and Dance scheme their way across “Pascali’s Island” (1988)

Posted on March 24, 2025 by Roger Moore

The decade after Ben Kingsley won the Oscar for his performance in the title role “Gandhi” was one of the most interesting of his storied, four-Oscar nomination career. He’d been a respected but mostly unknown player on Brit TV for … Continue reading →

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Movie Review: “2 Lives in Pittsburgh,” a tale of “coming out”

Posted on March 23, 2025 by Roger Moore

Earnest and well-intentioned, Brian Silverman‘s “2 Lives in Pittsburgh” begins with confusion that turns towards compassion before drifting into cloying and finishing up with a hearty “Oh COME on.” Writer, director and co-star Silverman stuffs wrinkles, revelations and pointless complications … Continue reading →

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Netflixable? Fatal Finnish Funny Business comes to “Little Siberia”

Posted on March 23, 2025 by Roger Moore

A village pastor finds himself guarding a possibly valuable meteorite, fighting off those who covet it and questioning his faith and his wife — who is pregnant with a baby he’s sure isn’t his — in the dark and daft … Continue reading →

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Classic Film Review: Michael Mann invents ’80s Cinema — “Thief” (1981)

Posted on March 22, 2025 by Roger Moore

It’s only in retrospect that we recognize the watershed films, the ones that signaled the end of one era and the beginning of another. Michael Mann’s feature film debut “Thief” earned decent enough reviews when it was released in March … Continue reading →

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Movie Preview: Pedro Pascal, Elizabeth Reaser, Rufus Sewell and a different side of Walton Goggins face “The Uninvited”

Posted on March 22, 2025 by Roger Moore

A cocktail party is the setting for this actors’ showcase, featuring 151-credits-and-counting screen veteran Lois Smith as an elderly intruder at a posh and “very important” social/business gathering. Goggins and Reaser play husband and wife, Pascal the resented/envied “guest” and … Continue reading →

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