Category Archives: Reviews, previews, profiles and movie news

Novice duffer named Maurice Flitcroft takes a whack at the British Open. He was a crane operator at a shipyard, one of those places with lots of hyphens in the name — Barrow-in-Furness. And at 46, he decided to take … Continue reading →

Longoria and Matt Walsh play a married couple — with a tween daughter — who take off for the middle of nowhere to get away from their phones and reconnect with their lives, nature and each other in “Unplugging.” Of … Continue reading →

“Furioza” takes us inside the criminal world of Polish soccer hooligans, showing us a gang that has moved beyond brawling and stealing an opposing team’s flag and into providing muscle and transport for the drug trade. It’s a brutally violent, … Continue reading →

They label the neighborhoods of Paris “arrondissements,” which translates as bureaucratic “districts” but in French sounds ever-so-sexy. Whatever one thinks of Notting Hill, Hyde Park, Buckhead, Park Slope or Silverlake, the allure of romance in this or that arrondissement checkmates … Continue reading →

John Madden (“Shakespeare in Love,” “Best Exotic Marigold Hotel”) directs Colin Firth, Matthew Macfadyen, Kelly MacDonald, Penelope Wilton, Johnny Flynn and Jason Isaacs in this story of a spy game played with a corpse meant to fool Gerry into thinking … Continue reading →

Top tip here. One should never dip into a “Wyrmwood” zombie film around meal time — yours, or theirs. “Wyrmwood: Apocalypse,” the sequel to 2014’s “Wyrmwood: Road of the Dead,” is a “Zombieland” meets “Soylent Green” blood-on-the-lens splatterfest. It’s probably … Continue reading →

Cristi’s out of town visitor Hadi is a German-Turkish flight attendant so handsome that he can’t wait to get him to his apartment. The elevator will do. But when his sister drops by, she chides her brother for not taking … Continue reading →

“Ambulance” is 80 minutes of pure mayhem wallowing through 140-150 minutes of pure Michael Bay hokum. The action sequences are assaultive, brutally-efficient exercises in gunplay, stunts and frenetic acting passing by in a blur as breathless as the editing team … Continue reading →

“Cobalt Blue” is an Indian “Call Me By Your Name,” a gay lad’s sexual coming-of-age tale that shares torrid sexual encounters and a few other details from the André Aciman novel that screenwriter James Ivory turned into Oscar bait film … Continue reading →

“Mothering Sunday” is a somber, sad tale of the gutting emptiness of loss, the unspoken-of absences of everyone who died in The Great War as remembered by an adult writer who saw this all first hand during her years “in … Continue reading →