Author Archives: Roger Moore

“Tyrel” is “Get Out” without the vast White Wing Conspiracy. Take away the implicit threat, the science fiction satire of importing while souls into African American bodies and you’ve got a modestly disturbing story of not fitting in, of a … Continue reading →

If you’ve heard of Nevada’s infamous “Area 51,” Ground Zero in the “Aliens Have Visited Us” conspiracy web, it’s because of Bob Lazar. He’s the man of science who popped up on TVs all over the world in 1989, saying … Continue reading →

A former Fox News producer says they had a name for it; the network’s style, the “stories” favored there and the edict they were given from on high. “We used to call it ‘Riling up the crazies,’” Joe Muto remembers … Continue reading →

Starkly beautiful, haunting and touching, “Sicilian Ghost Story” is an Italian “Endless Love,” a tale of first love and the fantasies that spin out of that when the one you’re smitten with goes missing. Filmmakers Fabio Grassadonia and Antonio Piazza have … Continue reading →

Our year of celebrating Supreme Court Justice Ruth Bader Ginsburg reaches a crescendo with “On the Basis of Sex,” a thrilling if somewhat conventional celebration of her early life and her path to the case and cause that made her … Continue reading →

“Ghostbox Cowboy” is a trippy culture-clash comedy, an “innocent abroad” tale of an American rube out of his depth in the new Wild West, the free-for-all that counts as a marketplace in modern day China. It’s willfully, defiantly cryptic and … Continue reading →

How do you debate the tolerance of a religion intolerant of criticism? A central dilemma of our times, of the West dealing with the Islamic East. Here’s a documentary about that issue and the core debate between Islam and the … Continue reading →

So Best Actress looks like a crowded field at the Academy Awards this awards season. Glenn Close for “The Wife,” maybe one or both of the leads from “The Favorite” or “Mary Queen of Scots.” But if this one works, … Continue reading →

Second trailer. The Millie Bobby fans have been dying for this one. Pat yourself on the back if you get the “Frankie and Johnny” musical reference.

History’s most famous feuding redheads got at it again in “Mary Queen of Scots,” an engrossing, marvelously-acted account of the monarchical cousins that suggests their real enemy wasn’t each other — it was the grasping, pushy and ambitious men who … Continue reading →