Author Archives: Roger Moore

The House. The Abbey. Promises of all your favorite characters making the journey from Brit TV/PBS small screens to the big one. “Next year.” Really, if you’re not doing a prequel, then you simply MUST get this posh soap opera … Continue reading →

Clint Eastwood pulls one last bait and switch with his latest — perhaps last — picture, “The Mule.”  From the tenor of the trailers and TV commercials, we gather that he’s directed and stars in a drug trade thriller — … Continue reading →

Mathias Schoenaerts stars, Connie Britton’s his shrink and Bruce Dern is the grizzled old horse handler with loads of folksy horse sense in this drama, produced by Robert Redford, about inmates looking to patch the holes in their souls by … Continue reading →

Good reviews or bad, “Spider-Man: Into the Spiderverse” was sure to own this weekend, as the comic book fanbase is seriously hyped up for this alternate version of the web slinger — which features any number of Spider Women, Spider … Continue reading →

A thriller with hints of an administration with a freewheeling view of American nuclear power, a fearmongering politician (Jamie Lee Curtis) who wants to use The Bomb and Tika Sumpter as the aide who helps her sell the threat they’re … Continue reading →

A bit of science fiction satire aimed at the “state” of things as they are today — privacy, control, “monitoring,” etc. Vera Farmiga and John Goodman are the big names in the cast of “Captive State” — which is about … Continue reading →

I’m going to limit this to SAG’s motion picture nominations. The TV stuff is so far removed from the Emmys (as are the Golden Globes’ TV nominations) as to not impact the “real” awards that come from this time of … Continue reading →

MPAA Rating:  PG for some mild thematic elements and brief action Cast: Emily Blunt, Lin Manuel Miranda, Ben Whishaw, Emily Mortimer, Julie Walters, Colin Firth, Dick Van Dyke, Angela Lansbury and Meryl Streep Credits: Directed by Rob Marshall, screenplay by David … Continue reading →

Film fans long ago made up their minds about Sally Field. The woman spent the better part of 20 years living down her “You like me…right now you like me” Academy Award acceptance speech, a meme before we were using … Continue reading →

Well, it’s something to see. Producer (and co-screenwriter) Peter Jackson always makes sure of that. The surprising thing about the film of Phillip Reeve’s “Mortal Engines,” essentially a movie about roving, bulldozing cities that devour small towns, is how long this … Continue reading →