Author Archives: Roger Moore

The trailers for this shout “JANUARY thriller,” and that’s a good thing. It’s a great month to release a picture with no Oscar pretenses, an action film. Mark Wahlberg knocked out a couple, before he was sentenced to Netflix. Everybody … Continue reading →

One of the delights of the third act of Sir Ian McKellen’s life and illustrious career has been throwing dinner parties, sometimes in swank restaurants here or there — often in the ancient and storied pub he owns, The Grapes. … Continue reading →

Rosie Perez and Eric Roberts are the familiar names in this bipolar college kid drowning his troubles at a strip club tale. We are intrigued.

Fine art and the art of stealing it are touched on in this one.

The French comedy “L’ascension (The Climb)” is so cheerful and cutesie that pounding it would be like kicking a puppy. Everybody grins. True love is given its ultimate test. And even if one questions the “sight gag” motives of the … Continue reading →

The intense but clean-cut young man slows his Beetle down at an Israeli Army checkpoint on a rainy night. He’s going to “the funeral” he says. When the soldier takes a breath to ask more questions, perhaps search the car, … Continue reading →

In an interview with Variety, Carey Mulligan suggests Oscar Voters Need to Prove They’ve Seen the Movies. She has a point. I think most of the winners reflect a movie the Academy by and large has seen. It’s the films … Continue reading →

In one scene in the Colombian farce “Loving is Losing (El que se Enamora Pierde)” a misbehavior-prone masseuse (Carolina Sarmiento), prone to drugging her clients so she can goof off instead of actually giving massages, is seen watching a telenovela– … Continue reading →

Yes, THAT Jon Stewart. Rose Byrne and Steve Carell star in this May 29 political farce.

While there’s a lot to be said for “sexual heat” in a screen romance, there’s nothing all that romantic about the slam-against-the-wall, bruising hurry that too many screenwriters (male, mostly) figure is “love language” in the movies. The ache of … Continue reading →