Author Archives: Roger Moore

It’s quite late in the game for Taylor Swift to be expecting anybody to change his or her opinion about Swift as a performer, celebrity, icon and influencer. But this new documentary takes its shot, a somewhat revealing distillation of … Continue reading →

Ok, maybe not NEXT next. Got to get to that Tay Tay Swift doc on Netflix, after all. But soon, very soon I’ll get to this indie drama with largely unknown cast, a take of a high school teacher falling … Continue reading →

Failed comic moves home and gets inspiration from an alcoholic dermatologist. Because Billy Crystal’s mother always wanted a doctor in the family? “Standing Up, Falling Down” earns limited release in mid February.

The thing that bowls you over, straight off, about “Gretel & Hansel” is how beautiful the damned thing is. Art director Christine McDonagh (TV’s “Into the Badlands”), production designer Jeremy Reed (“Hard Candy”) and lighting cinematographer Galo Olivares (“Roma”) have … Continue reading →

Stewart is a concert pianist coping with stage fright, Holmes is a “agree spirited music critic” who helps him cope. Giancarlo Esposito also stars in “Coda.”

Ever been to a fan convention? Comic-Con, MegaCon, SuperCon or “Star Wars Celebration?” “Surviving” it takes a lot more than stamina and an ability to ignore strong BO, I tell you what. Here’s a doc that goes beyond the “Big … Continue reading →

“VFW” is a spatter film, a “Hobo With a Shotgun” meets “From Dusk Til Dawn.” It’s built on that “Fort Apache/Zulu/Assault on Precinct 13” formula that most zombie and more than a few vampire onslaughts use as a template. Pack … Continue reading →

How much is “too much” to reveal in a movie review? Ordinarily, you relate just enough of the plot and characters to set the story in motion, and everything else is value judgements — how good the acting, writing, production … Continue reading →

I haven’t heard a “perfect” speech from Zellweger this time around. But I really only have her faintly sarcastic Golden Globes “thank you” to go by. But Dern, Pitt and Phoenix have been saying the sorts of modest, touching and … Continue reading →

Nothing like a little color blind casting (Dev Patel in the title role, etc) and the director of the dark comedies “In the Loop” and “Death of Stalin” for breathing life into a musty old Charlie Dickens morality tale. Hugh … Continue reading →