Author Archives: Roger Moore

Malin Akerman and Kat Dennings and Wanda Sykes and Jane Seymour and Aisha Tyler. There’re some guys in it, too. But I hit the highlights. “Friendsgiving” is out before Halloween. Not that they’re rushing things.

A good romantic comedy is like a happy love affair. Even when our couple faces obstacles, they should feel “easy” to overcome, even if they aren’t. Even if every relationship requires work, we shouldn’t see the effort. “Gossip Girl” veteran … Continue reading →

A tram on Jersulem’s Red Line makes its way from east to west, through an important city of many religions and cultures, revealing itself through the passengers who get on at various stops at many different times of day. But … Continue reading →

Zombie movies are challenging Kia and K-Pop as Korea’s major export, these days. “Train to Busan” and “Peninsula” were big budget theatrical entries, and “#Alive” arrives as the Netflix version, lower stakes, smaller scale, more intimate by design. It doesn’t … Continue reading →

There have been a lot of documentaries about Donald Trump and Donald Trump’s America, and more will show up between now and election day 2020. But the only one on that subject that strikes me as “essential viewing” is “Red, … Continue reading →

A post Great Recession journey of discovery, van life in a broke and broken America.

“Immortal” is an interesting Screenwriting 201 assignment that somehow made it onto the screen. How would your thriller/horror/end-of-life drama screenplay turn out differently if a character or characters could not be killed? “The Villain Who Won’t Die” is an old … Continue reading →

“Villain” is a straight-up gangster picture in the modern British mold, Cockney hoodlums slinging slang, talking tough and when the need arises, breaking out the hammer and breaking heads. Genre veteran Craig Fairbrass (“Get Lucky,” “The Hooligan Factory”) rumbles through … Continue reading →

Three Oscar winners, one coming attraction. With Dax Shepherd, Eddie Griffin and Emile Hirsch. I’ll laugh at anything that ridicules movie biz “types,” and a 70s period piece? Look for this come November.

The bar isn’t unreasonably high for modern musical biographies. Make that “a hit is created/a star is born” moment work and let music and nostalgia carry the picture. “I Am Woman” has more than that. A star-making turn by Tilda … Continue reading →