Author Archives: Roger Moore

The comic book adaptation “The Old Guard” is more interesting for its “changing of the guard” politics than anything it puts on screen. Netflix made it, wrote a big check for a franchise built around Oscar winner Charlize Theron, with … Continue reading →

Love this guy. I follow him on Twitter. VERY outspoken liberal. I don’t watch the HBO series he’s currently in. But I recognize him. Do you? Another clue. My name and what an actor who has the same name is … Continue reading →

The midway point in the low-budget sci-fi thriller “Volition” is a real make-or-break moment. It’s there that this film about a clairvoyant who tries to avert the doom he sees in his future takes a turn and adds on baggage. … Continue reading →

The Danish mini-series “When the Dust Settles” invites a sweeping generalization, if you compare it to most English language limited-run dramatic TV series. Typically, your average Northern European program of this sort demands more from the viewer. It’s not just … Continue reading →

Maybe it was my recent viewing/reviewing of the “‘Showgirls” Reconsidered documentary “You Don’t Nomi” that stopped me in my channel-surfing tracks when I saw the name “Joe Eszterhas” on the credits to a movie I’d missed. Yes, “Telling Lies in … Continue reading →

  There’s something about the rugged, rawboned Danish actor Nikolaj Coster-Waldau that says “ex-con.” We see it, when we can get past the “Game of Thrones” persona HBO made for him. And he sees it, which is why he’s made … Continue reading →

Imagine “Harold & Maude” as a Japanese musical, a morbid, deadpan dark comedy and social satire, a surreal snapshot of Japanese culture that’s also J-Pop band origin story. That’s “We Are Little Zombies,” a daft, candy-colored Japanese confection that is … Continue reading →

This one streams Aug. 11. Of course I’m going to review it.

“Greyhound” is an old fashioned “Victory at Sea” style combat epic — narrow in focus, heroic in nature and relentlessly action-packed. The escort destroyer skipper Tom Hanks plays gets no rest, on the bridge and on his feet for days … Continue reading →

A nerve-wracking Korean heist-gone-wrong thriller goes seriously wrong itself when “Time to Hunt (Sanyangeui sigan)” devolves into straight-up melodrama. An ill-conceived armed-robbery, a naive “crew” that figures it’s gotten away clean when it hasn’t, and all the resources of the … Continue reading →