Author Archives: Roger Moore

The iconic fashion, art and portrait photographer Helmut Newton (1920-2004) described himself, half-dismissively, as “a professional voyeur.” Elaborating, he said “I photograph a body, a face, legs…” Always women. Typically nude. Often provocatively posed and photographed. One of his favorite … Continue reading →

Damn this is fun. “Mucho Mucho Amor” is a documentary that takes many of us back to that first time we caught a load of Walter Mercado, Puerto Rico’s astrologer to the masses, a Liberace/Elton/Cher flamboyant showman who brought old … Continue reading →

Jesse Williams and Jordana Brewster also star in this thriller about comic book writers who wonder about the connection between their work and“Random Acts of Violence.”This one opens Aug. 20.

The culinary term “Nose to Tail” is a philosophy — a chef who turns her or his talents to finding a use for everything in a purchased carcass in the food served at the restaurant. You don’t have to go … Continue reading →

A young, gay and lovelorn filmmaker tries to confirm he didn’t just die or go into a monastery after making a splash with his debut film, by releasing and publicizing his second. We finally get Simon Amstell’s“Benjamin” in streaming release … Continue reading →

The comic book adaptation “The Old Guard” is more interesting for its “changing of the guard” politics than anything it puts on screen. Netflix made it, wrote a big check for a franchise built around Oscar winner Charlize Theron, with … Continue reading →

Love this guy. I follow him on Twitter. VERY outspoken liberal. I don’t watch the HBO series he’s currently in. But I recognize him. Do you? Another clue. My name and what an actor who has the same name is … Continue reading →

The midway point in the low-budget sci-fi thriller “Volition” is a real make-or-break moment. It’s there that this film about a clairvoyant who tries to avert the doom he sees in his future takes a turn and adds on baggage. … Continue reading →

The Danish mini-series “When the Dust Settles” invites a sweeping generalization, if you compare it to most English language limited-run dramatic TV series. Typically, your average Northern European program of this sort demands more from the viewer. It’s not just … Continue reading →

Maybe it was my recent viewing/reviewing of the “‘Showgirls” Reconsidered documentary “You Don’t Nomi” that stopped me in my channel-surfing tracks when I saw the name “Joe Eszterhas” on the credits to a movie I’d missed. Yes, “Telling Lies in … Continue reading →