Author Archives: Roger Moore

Disney goes back to the “Enchanted” well for “Godmothered,” a Jillian Bell comedy that casts her as a dizzy fairy godmother-in-training trying to make one little girl’s wish for a “happily ever after” come true. Bell is in fine (PG) … Continue reading →

“All My Life” is “The Big Sick” without laughs — not a one — and without the charm, well, most of it, anyway. “True story” or not, it’s a check-box romantic weeper that checks those boxes — Meet Cute (meh), … Continue reading →

Let’s share a little of the older generation’s infatuation with the sentimental memoir about the hard life an Irish mother, “Angela’s Ashes,” by showing the wee ones “Angela’s Christmas,” a witty and warm bit of Frank McCourt in holiday animated … Continue reading →

The McCourt family’s “Angela’s Ashes” brand finally produces one offshoot too many with the animated sequel, “Angela’s Christmas Wish.” It’s an inferior and longer follow-up to “Angela’s Christmas” of a few years back, with a little sentiment but barely enough … Continue reading →

Warners is moving its entire 2021 film lineup, big titles all, to a theatrical and HBO Max simultaneous release schedule. Pandemic or not, will anybody go out to a theater if they can watch new releases at home? Not likely. … Continue reading →

Having trouble sleeping? Here’s a maudlin Filipino melodrama set mostly in Morocco that has scenery and very little else going for it save for the promise of a nap it prompts. Flat performances, feeble attempts at humor, heartless grabs at … Continue reading →

“Billie” is the far and away the most definitive Billie Holiday biography ever put on screen, a film that celebrates her magic and examines the demons that haunted her, chemical and human. It’s a film built out of two tragedies, … Continue reading →

The generic nature of international pop songs, pop stars and “American Idol” TV shows is the been-there/voted-him-out subtext of “Fierce,” a Polish dramedy about a teen who competes in a singing competition to get back at the father who ran … Continue reading →

British theater cinema of the 1950s was famed for its “kitchen sink” realism, working class movies that showed how people really lived . “Look Back in Anger” and “Saturday Night and Sunday Morning” and the like set their stories against … Continue reading →

Get a load of that image above. That’s Ryan Phillippe as a Delta Force commando, shooting, punching and brawling his way to the rescue of his son, and that Supreme Court Justice’s daughter the kid crushes on — kidnapped as … Continue reading →