Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Book Review: A Star Director Remembered in his Own Words — “Sydney Pollack: Collected Interviews”

I’m really enjoying and learning a lot about the celebrated, Oscar-winning director Sydney Pollack through the assorted journalist interviews, public Q & As and filmmaker-to-filmmaker chats gathered in “Sydney Pollack: Collected Interviews. “ This University Press of Kentucky publication reminds … Continue reading

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Movie Review: “Carolina Caroline” and Her Man Oliver Rob their Way through the 1990s South

“Carolina Caroline” is a rigidly formulaic romantic thriller about a couple who meet as grifter-and-trainee and abruptly graduate from picking pockets and quick change scams to bank robberies. It’s dogmatic to the point where any potential surprise is smothered out … Continue reading

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Movie Review: Travolta’s “Propeller: One-Way Night Coach” is One for the Ages — All Ages

Back in the good ol’days — the ’90s — John Travolta would love to get off the topic of “Michael,” “Pulp Fiction” or “Get Shorty” in interviews with film journalists like me and regale us with how utterly besotted he … Continue reading

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Movie Review: Radha and Roth and Ioan — “Seven Snipers,” One B-movie from Oz

It’s always encouraging to see good actors continuing to get work after any “hot” streak that their careers gave them winds down. What’s unfortunate is the poor quality of the only projects with half-decent paydays that are on offer. “Seven … Continue reading

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Movie Review: The “Pressure” of D-Day Weighs on Ike and his Weathermen

“Pressure” is the sort of , stoic World War II drama that Hollywood and Britain used to turn out in the days when the World War II generation was still going to the movies. It’s built on a formula and … Continue reading

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Movie Review: Beware the “Backrooms” of Your Worst Nightmares

Here’s a thriller that Maurice Escher could have production designed, with Salvador Dalí decorating the sets and Stanley Kubrick behind the camera directing. Not that Youtube phenom turned horror filmmaker Kane Parsons is the new Kubrick. But in turning his … Continue reading

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Movie Review: Car Salesman “Breadwinner” turns Mister Mom Wannabe

Comic Nate Bargatze’s Hollywood studio comedy debut, “The Breadwinner,” is another “Mister Mom/Daddy Daycare” knockoff, a “Dad’s no good at kiddie caregiving” conceit that’s so moldy and out of date that the less said about this stiff the better. But … Continue reading

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Series Review: Nic Cage’s a Private Eye Ensnared in “Spider-Noir”

Nicolas Cage dons the hat, mask, leather and goggles and plunges straight into the Spider-Verse in “Spider-Noir,” the latest Marvel spin-off to earn a series treatment. An appearance previewed way back in the animated “Spider-Man: Across the Spider-Verse,” predicated on … Continue reading

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Classic Film Review: The Tragedy of Thatcherism as it Happened — “Looks and Smiles” (1981)

Finding love and then discovering there’s nowhere for it to go thanks to a contracting economy and government hellbent on “breaking” the working class is what Ken Loach’s very fine “Looks and Smiles,” a 1981 classic that offered the first … Continue reading

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Documentary Review: Sate your Bond Appetite with Music — “The Sound of 007”

With the overdue annointing of a new James Bond coming any day/week/month or year now, those hunting for a 007 fix can be excused for tapping their watches and glowering at MGM/Amazon, which will be producing and releasing it. Eventually. … Continue reading

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