Author Archives: Roger Moore

It’s a Tom & Jerry cartoon, so we’re not splitting the atom here. Besides, I’m pretty sure Jerry split that sucker over Tom’s noggin back in the ’50s, when they were at MGM. The “Tom & Jerry” movie is, first … Continue reading →

Let’s see how this works out. Warner Brothers sent a screener in the wee hours of the morning, and I know from past experience that their screener system is one of limitless limitations (Smart TVs…and Android phones? WTF?). But it … Continue reading →

Wise is the pop star who knows how to preserve a little mystery about themselves, even in the age of “over-sharing” and the microscope that is social media. Her most obsessed fans can find out bits of this and that. … Continue reading →

Yes, this looks as generically “contest” oriented as way too many martial arts thrillers and a lot of video game adaptations as well. But this R Rated run through the XBox or Playstation but not Wii of gamefan’s wet dreams … Continue reading →

“Crisis” is an opioid thriller that comes out on the heels of “Body Brokers,” more of an explanatory drama about the other end of this pharmaceutical calamity — addiction’s rehab racket. “Body” angles to be a “Blow” on this broader … Continue reading →

Here’s a drab little romance about a guy who might not be ready to “get back out there” because his late wife’s still in his head. Literally. He starts seeing her ghost. And Sarah (Yael Stone) took those vows seriously, … Continue reading →

Film is still, a hundred years into “talkies,” a visual medium. Few things fly more in the face of that than a movie whose screenplay is largely a long run of monologues. If a voice-over narration is your idea of … Continue reading →

The English scientist Michael Faraday is worth quoting as Gospel while taking in “‘Til Kingdom Come,” a new Israeli-made documentary. “There’s nothing quite as frightening as someone who knows they are right.” The film is about the unsettling alliance between … Continue reading →

Michael Winterbottom, one of my favorite directors, leaves behind Coogan and Bryson “Trip” comedies and gets back to the political thrillers he’s best at with this upcoming film. He did “Welcome to Sarejevo,” “The Road to Guantanamo” and “A Mighty … Continue reading →