Author Archives: Roger Moore

I hear this line so often that I’ve decided that it’s a screenwriter’s mark of confidence in her or his work, or at least a statement of chutzpah. “Can’t this all be over?” You have to know that late — … Continue reading →

If your favorite band gets labeled “the voice of a doomed generation,” maybe you figure you’re winning that debate over “the only band that matters.” Then again, if the rest of music fandom doesn’t agree, if that very band acknowledges … Continue reading →

“Six Minutes to Midnight” is the sort of high gloss “programmer” Hollywood and Pinewood (and Shepperton, etc.) used to turn out by the dozens. The plot has Nazis, spies, action and preposterous coincidences and improbabilities, a “talks too much” villain, … Continue reading →

“Experimental films” rarely make it beyond film festivals, or college cinema societies, but “My Mexican Bretzel” gained enough notoriety in that world to achieve DVD and streaming release. It’s an exercise in social commentary and memory, embracing the nostalgia of … Continue reading →

Knowing a movie like this is on my calendar is what gets me up in the morning. Opens Friday.

A vegan vampire hunter sits — I’m envisioning the lotus position — on the horns of a dilemma. Pretty hard to reconcile those competing agendas. “First of all, no hurting…or killing.” No “stakes,” in other words. Or steaks. But if … Continue reading →

Deep sea treasure hunters become Bank of Spain robbers in “The Vault,” a heist picture built on “The Italian Job” model, only without the laughs. The criminal masterminds are British and there’s a hint of jingoism in their quest. They’re … Continue reading →

Man, who had weaselly Bob Odenkirk as The New Liam Neeson in the “savage cinema of the future” pool? The “Saturday Night Live” writer, “Drunk History” mainstay, dopey “How I Met Your Mother” boss and “Breaking Bad” breakout/spinoff star completes … Continue reading →

So many (rhetorical) questions. What DID bad guys look like before three-day stubble was perfected by Don Johnson? What did they drive in the years before the black Excursions and Escalades? “Enhanced” is a unimaginative and generally drab sci-fi thriller … Continue reading →

Still mystified at all this support of the script for the mockumentary “Borat Subsequent Moviefilm.” But Emerald Fennell’s scalding script for “Promising Young Woman” is the real deal amd worthy of its Oscar momentum, even if I would’vd voted for … Continue reading →