Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: Neapolitan mobster lives through a day as “The Mayor of Rione Sanita”

Remember that sequence of scenes in “The Godfather” in which Don Corleone receives visitors who come to ask for favors, make complaints and request justice? That’s basically the plot for Eduardo Filippo’s play, “Il sindaco del Rione Sanità,” “The Mayor … Continue reading →

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Movie Review: “Acid Test” is totally Base-ic

The tamest movie ever made about dabbling in LSD and Riot Grrrl culture has to be “Acid Test,” a non-prescription sleep aid of a movie. Here’s a PG rated treatment of an R-rated subject. It’s about a high school senior … Continue reading →

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Movie Preview: A Senegalese “Nanny” faces trauma and “presence” in the New York family that hires her

A thriller that turns horrific? Nov. 23 in theaters, Dec. 16 streaming.

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Movie Preview: Orson Welles and New York’s best African Americans actors take on “The Scottish Tragedy” — “Voodoo MacBeth”

A small distributor backs a little known cast that takes on the sensation of 1930s Broadway, Welles’ Haitian set “Voodoo Macbeth.” Oct. 21.

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Movie preview: Withdrawal is horrific when your brother’s up to no good — “To the Moon”

Mostly unknown cast for this Sept. 20.

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Movie Review: “Don’t Worry Darling,” it’ll all be over soon

If it was a “spoiler,” I wouldn’t use the word. And the word for “Don’t Worry Darling” is “Stepford.” I mean, read and comprehend the title. There it is. It’s an easily-grasped and obvious analogy for this satiric thriller from … Continue reading →

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Movie Review: “How Dark They Prey,” How bad can it be?

Well, there’s an hour of my life I’ll never get back. “How Dark They Prey” is a quartet of ineptly-scripted, randomly-assembled, adequately-shot but amateurishly-acted short horror films that fall under the broad horror subheading of “claptrap.” They include the worst … Continue reading →

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Classic Film Review: Sean Baker and Shih-Ching Tsou’s “Take Out” (2004)

Long before they shot the serio-comic transgender odyssey “Tangerine” on a cell phone, over a decade before “The Florida Project” became an Oscar-buzzed drama about the transient-hotel homeless of Orlando, Sean Baker and producer Shih-Ching Tsou co-directed a gem about … Continue reading →

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Movie Preview: Kate Hudson, Craig Robinson, Ed Skrein and Jeon Jong-seo Dive into the Wild Thing that is “Mona Lisa and the Blood Moon”

New Orleans at its most demented. Stranger than fiction. But not stranger than science fiction. Sept. 30.

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Documentary Review: The Irish Artist as Agitator, Sinead O’Connor — “Nothing Compares”

The pop star of the moment stood on a quiet, dimly-lit stage behind lit candles and performed a Bob Marley song, “War,” a cappella. When it was ending, she held up a photo of Pope John Paul. She tore it … Continue reading →

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