Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: A Murder Mystery unravels via “The Fallen Bridge”

The many melodramatic touches would almost certainly have marred my experience of “The Fallen Bridge,” had this mystery thriller been a formulaic Hollywood product. But it’s Chinese — VERY Chinese — and that adds layers of meaning to even mundane … Continue reading →

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Movie Review: “Golda” earns Mirren the Bronze

A solid Helen Mirren turn in the title role gets lost in a choppy narrative and haze of cigarette smoke in “Golda,” a bio-pic about Israel’s controversial but (apparently) far-sighted prime minister during the 1973 Yom Kippur War. The film … Continue reading →

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Documentary Preview: Let’s celebrate the most influential writer Modern America has produced — “Radical Wolfe”

Tom Wolfe coined a Fitzgerald worth of phrases as he defined his era, the 60s through the early 2000s. He changed how we think of hippies, astronauts, New Yorkers, Wall Streeters, rich Southerners and, thanks to his dapper, larger than … Continue reading →

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Classic Film Review: “The Running Man” was Laurence Harvey in this 1963 thriller

“The Running Man” is a heavy-handed 1960s crime-and-greed parable that has nothing to do with the 1980s Richard Bachman (Stephen King) novel or the Schwarzenegger film made from that. This version is most interesting because it’s built around a superbly-sinister … Continue reading →

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Netflixable? Spain takes a stab at “Scream” — “Killer Book Club”

The characters are self-decribed “archetypal cliches” fated to die “long, drawn out deaths.” And as they’re horror fans often commenting on the conventions of the genre, it’s safe to label “Killer Book Club” what it is — a Spanish “Scream” … Continue reading →

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Movie Preview: Gael Garcia Bernal goes Luchador — “Cassandro”

This September 15 release is based on the true story of a Luchador “exotico,” a “heel” (designated villain, usually, in US wrestling terms) who performs in drag, and becomes wildly popular in a macho and by reputation homophobic culture. The … Continue reading →

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Movie Review: A Swing and a Miss at an Existential Robbery Comedy — “Welcome to Redville”

Not every B-movie getaway thriller has the ambition to aim for something existentialist/absurdist in its plot, so a deep bow and a tip of the hat to filmmaker Isaac H. Eaton — using a story idea of Daniel Devoto — … Continue reading →

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Classic Film Review: The Hidden Pleasures of Palance, Pleasence, Anita Ekberg and Anthony Newley and “The Man Inside”

Whatever its perceived shortcomings upon its 1958 release (1960 in the U.S.), “The Man Inside” offers plenty of delights for the classic film buff of today. It’s got veteran screen heavy Jack Palance, cast against type as a drawling, wisecracking … Continue reading →

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Movie Review: A Meditation on Being a Woman in a Troubled Place and Time — “Before, Now & Then”

“Before, Now & Then” is a dreamy Indonesian drama about changing expectations and ideas of “freedom” that pass through the life of a Muslim woman through twenty years of her life. This Berlin Film Festival award winner is a period … Continue reading →

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Netflixable? “You are So Not Invited to My Bat Mitzvah”

Boy, it takes more than a few minutes to get one’s mind around the idea that Adam Sandler’s produced and co-stars in a comedy which you simply must use the word “endearing” to describe. “Charming” works its way in, “kind … Continue reading →

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