Author Archives: Roger Moore

It’s time to accept that those “Release the Snyder Cut” t-shirts aren’t aging well. Because as Joseph Campbell taught us, the most important element in any “hero’s journey” is to pick a hero worth following. Writer-director Zack Snyder isn’t that … Continue reading →

Any resemblence between Shakespeare and the Polish rom-com franchise “The Taming of the Shrewd” is abandoned altogether for “The Taming of the Shrewd 2,” the sequel to the popular, franctious and almost-bawd rom-com of last year. So I guess that’s … Continue reading →

The knock on early sound movies has become ingrained in Hollywood lore and immortalized in films about the transition from silent cinema to “talkies” such as “Singing in the Rain” all the way to “Babylon.” The sound gear was cumbersome … Continue reading →

It takes a while to figure out the sweet spot that writer Mike White (“School of Rock”?) was going for with “Migration.” It’s got a lot of funny people doing voices — Kumail Nanjiani, Awkwafina, Keegan-Michael Key going Jamaican “mon,” … Continue reading →

There have always been movie remakes, as long before the words “intellectual property” became common currency, studios were remaking scripts or books they had the rights to. Hemingway’s “To Have and Have Not” was not just a 1944 classic with … Continue reading →

It’s about time filmmakers turned their attention away from English-language young adult fantasy fiction and returned to the land where the Western tradition in literary fantasy began, in the land of the Brothers Grimm. But the Amazon/MGM production of Kerstin … Continue reading →

Don’t tell his momma, or his wife. But there’s something just right about casting Dermot Mulroney as an ex-con. He’s got the look. Hell, he’s had it all along. But damned if that rough-hewn, more-rugged-than-handsome-mug wasn’t in “My Best Friend’s … Continue reading →

A body builder — Katy M. O’Brian — draws the attention of lonely K-Stew, who comes to find out just what Ms. Muscles is into and all about — Murder for hire? — with Ed Harris and assorted other bad … Continue reading →

“Merry Good Enough” is an indifferent, listless and generally lifeless holiday comedy built around the admission, “It’s the holidays. We’re all a little suicidal.” It’s about three unhappy 30ish children coming home to their long-divorced mom in Massachusetts suburbia wondering … Continue reading →

Let it be said that the new musical “The Color Purple” in no way replaces the sometimes-wrenching 1985 film adaptation of Alice Walker’s acclaimed novel. The film version of Marsha Norman’s 2005 stage musical is best appreciated with a word … Continue reading →