Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: Spending “Eternity” with…Miles Teller?

It’s a cheap shot to label “Eternity” an “endless” romantic comedy that only seems to go on and on forever and ever. But a script with 60 minutes worth of cute/sweet ideas about marriage and the afterlife — none of … Continue reading →

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Movie Review: Forgettable and Regretable –“Ella McCay”

“Ella McCay” is a blandly-titled collection of randomly-scripted expressions of feelings, political frustration, character failings and over-acted monologues interrupting insufferable and incessant voice-over narration. Its two tedious and under-edited hours play like an aimless attempt at a feel good streaming … Continue reading →

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Series Preview: Bernthal & Tessa,  Cop & Reporter,  “His & Hers” takes on a Murder Mystery

A couple of my favorite actors paired up for a January thriller. As it’s a series you can bet they will tease and cliffhanger out a 95 minute idea into six episodes. Jan. 8.

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Movie Review: Korean Canadians, Kimchi and OkCupid — “The Mother and the Bear”

“The Mother and the Bear” may be the cutest thing branded “Korean” since BTS, or even the Kia Soul. Sure, it’s a Canadian indie dramedy by a Chinese-Canadian filmmaker. But writer-director Johnny Ma brings an outsider’s view and respect for … Continue reading →

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Movie Review: “Merv” is the Canine Couples Counselor for Zooey and Charlie

Zooey Deschanel’s image was cast in tinsel way back when she co-starred in “Elf.” So if you’re making a holiday movie for Xennials to get sentimental over, you could do a lot worse than the perpetually perky wide-eyed pixie in … Continue reading →

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Movie Review: Poots and K-Stew film “The Chronology of Water”

Rookie director mistakes mute the effect of a powerhouse lead performance in “The Chronology of Water,” actress-turned-director Kristen Stewart’s feature filmmaking debut. It’s an unblinking, in-your-face movie of the memoir by Lidia Yuknovich, which has developed a cult following thanks … Continue reading →

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Movie Review: Adrift in the Working Class Underbelly of Oz — “Flathead”

“Flathead” is an Australian docudrama peek into the country’s hidden-in-plain-sight underclass. It takes its title from a popular fish Down Under, one of the foodstuffs we see processed, picked, packed and prepared by the migratory workers of many cultures, a … Continue reading →

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Netflixable? Clooney’s a Movie Star who Takes Stock of his Career’s Cost — “Jay Kelly”

An aging matinee idol has his long, dark “tribute reel” of the soul in “Jay Kelly,” a George Clooney star vehicle that one-ups “first world problems” and “rich white people problems” with “movie star problems.” It’s a wealthy, famous star’s … Continue reading →

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Classic Film Review: A Theatrical Cold War Anecdote turned TV Bon Bon — “An Englishman Abroad”

An actress on tour with “Hamlet” is “recruited” by Britain’s most notorious spy in 1950s Moscow in “An Englishman Abroad,” a delightfully droll tragi-comedy from the writer who gave us “The Madness of King George,” “The Lady in the Van” … Continue reading →

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Movie Review: Who’s creepier, Foster Parents or “The Fostered?”

It’s a lucky thing that the thriller “The Fostered” is so risibly bad almost no one will see it and fewer will take it seriously. If this abomination had been a hit, with competent writing and direction and compelling acting, … Continue reading →

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