Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: Wahlberg, Key, Lakeith and Shalhoub “Play Dirty” in Shane Black-land

Posted on October 27, 2025 by Roger Moore

Shane Black? Glib one-liners and glib gunplay? Bigger and bigger action, with a bigger and bigger bodycounts? The actor turned writer and writer-director who peaked with “Kiss Kiss, Bang Bang,” made his way to a “comeback” with “The Nice Guys” … Continue reading →

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Movie Preview: Need an Assassin? Call “The Old Woman with the Knife”

Posted on October 27, 2025 by Roger Moore

Lee Hye-Young stars in this Korean slicer-for-hire thriller from the director of “Memento Mori,” Min Kyu-dong. The plot is as old as “The Mechanic” — the Charles Bronson original — and reflects another variation on “Killers of a Certain Age.” … Continue reading →

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Movie Review: A Filipino Gay Hustlers’ Odyssey — “Some Nights I Feel Like Walking”

Posted on October 27, 2025 by Roger Moore

Hooking up in bus station restrooms, hustling clients for sex in a cinema, police harassment, bullying, drugs, death and an impromptu funeral are on the menu of “Some Nights I Feel Like Walking,” a melodramatic saunter through one unnaturally long … Continue reading →

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Classic Film Review: Renewing “The Commitments” to Irish Soul and Irish Joy (1991)

Posted on October 26, 2025 by Roger Moore

Twas the writer Roddy Doyle who re-introduced the literary world to the concept of “Irish joy.” Sure’twas. His “Barrytown Trilogy” of comic novels in the late ’80s and early ’90s — the self-published sensation “The Commitments,” “The Snapper” and “The … Continue reading →

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June Lockhart — 1925-2025, “Lassie’s” Mom, “Lost in Space”

Posted on October 25, 2025 by Roger Moore

I can’t for the life of me remember why some PR firm was trotting “Lassie,” “Lost in Space” and “Petticoat Junction” TV star June Lockhart around in the ’80s. But I was a kid working in public radio in Charlotte, … Continue reading →

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Netflixable? The Consequences of Renewing the Nuclear Option — “A House of Dynamite”

Posted on October 25, 2025 by Roger Moore

You expect a movie about the renewed Cold War and its radioactive endgame to be dispiriting, just in that “Here we go again/Been there, barely survived that” sense. But the timing of Kathryn Bigelow’s grim, cautionary and “Don’t come here … Continue reading →

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BOX OFFICE: “Chainsaw Man” anime owns the weekend, “Springsteen,” “Regretting You” and “Black Phone 2” chase second place

Posted on October 25, 2025 by Roger Moore

The shrunken state of moviegoing in North America has left the field wide open for films with dedicated fringe audiences to dominate many a box office weekend. “Chainsaw Man — The Movie: Reze Arc” is the latest Sony Crunchyroll import … Continue reading →

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Movie Review: A “Boxcutter” Dreams of his Big Hip Hop Break…in Toronto

Posted on October 24, 2025 by Roger Moore

An aspiring rapper pins all his hopes on a make-or-break meeting with a famous producer at a “secret” party that everybody knows about in “Boxcutter,” an amiable street-life dramedy set on the not-so-mean streets of Toronto. It’s a tale with … Continue reading →

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Movie Preview: Helmsworth, Halle and Ruffalo, “Crime 101”

Posted on October 24, 2025 by Roger Moore

A Feb. thriller with at least one Scorsese touch. “Gimme Shelter” underscores this heist picture with Chris Hemsworth as a limo driver who knows muscle cars and famous McQueen crime pictures. Mark Ruffalo’s the cop chasing him. Barry Keoghan’s a … Continue reading →

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Movie Review: “Springsteen” makes “Nebraska” — “Deliver Me from Nowhere”

Posted on October 24, 2025 by Roger Moore

Self-revealing, self-examining, self-mythologizing, self-indulgent and self-destructive, those are all phrases that can apply to Bruce Springsteen’s seminal, uncompromising and defiantly anti-commercial album “Nebraska.” It can’t be called the LP that “made him.” But this critically-acclaimed smash from 1982 underscored the … Continue reading →

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