Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Preview: Skarsgård, Pacino and Colman Domingo in Gus Van Sant’s “Dead Man’s Wire”

A hostage thriller based on a true story about a guy with a beef with a mortgage broker. Talk about timely. And an anti-hero we can all get behind. Myha’la and Cary Elwes also star in this ’70s period piece … Continue reading

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Classic Film Review: Black and White Deadpan from the Golden Age of “Indie” — “Down by Law” (1986)

Memory always gets the last cut in editing any beloved classic film we embraced, way back when. I recall the totality of writer-director Jim Jarmusch’s work in his indie make-or-break years, the 1980s — the impromptu road trip to Florida … Continue reading

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Have you donated to Wikipedia this year?

Wikipedia, the secondary/overview font of much of the “knowledge” available on the Internet, is 24 years old this year. Growing pains and legitimate complaints lodged against its “crowdsourced” biographies, histories, science and facts in its early years notwithstanding, it’s endured … Continue reading

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Movie Review: A San Fran Romance with Wrenching — “Maintenance Required”

“Maintenance Required” is a gear-grinding rom-com that tries to blend car repair and romance between two good looking mechanics who meet on an online vintage Ford Bronco restoration forum. That’s not a terrible idea, nor is the notion that Charlotte … Continue reading

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Movie Preview: “What on God’s Flat Earth” is “Fackham Hall?”

Whatever you do, don’t say the title of this Britfarce of the Murder in the Drawing Room variety — they “watched the first two seasons of Downton Abbey” before filming it — quickly, and with a British accent? Thomasin McKenzie, … Continue reading

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Movie Review: A Soap Opera’s Season of Intrigues Precede the Famous Painting “Auction”

What an immersive byzantine delight the French dramedy “Auction” turns out to be. The latest from writer-director Pascal Bonitzer (“The Young Karl Marx,” and he scripted “Gemma Bovery”) is a playfully malicious peek behind the scenes of big money art … Continue reading

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Netflixable? “A Woman with No Filter” has some Grievances to Air

In the tradition of “A Woman Under the Influence,” “Women on the Verge of a Nervous Breakdown,” “It’s My Turn,” and generations of women coming into their own in films comes “A Woman with No Filter,” a Brazilian comedy that … Continue reading

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Movie Review: Wahlberg, Key, Lakeith and Shalhoub “Play Dirty” in Shane Black-land

Shane Black? Glib one-liners and glib gunplay? Bigger and bigger action, with a bigger and bigger bodycounts? The actor turned writer and writer-director who peaked with “Kiss Kiss, Bang Bang,” made his way to a “comeback” with “The Nice Guys” … Continue reading

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Movie Preview: Need an Assassin? Call “The Old Woman with the Knife”

Lee Hye-Young stars in this Korean slicer-for-hire thriller from the director of “Memento Mori,” Min Kyu-dong. The plot is as old as “The Mechanic” — the Charles Bronson original — and reflects another variation on “Killers of a Certain Age.” … Continue reading

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Movie Review: A Filipino Gay Hustlers’ Odyssey — “Some Nights I Feel Like Walking”

Hooking up in bus station restrooms, hustling clients for sex in a cinema, police harassment, bullying, drugs, death and an impromptu funeral are on the menu of “Some Nights I Feel Like Walking,” a melodramatic saunter through one unnaturally long … Continue reading

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