Author Archives: Roger Moore

As we enter another deluge of “holiday” streaming movies, I’d be remiss in not catching on a title or two I missed from assorted streaming services LAST holiday movie season. “Something from Tiffany’s” comes with a Rotten Tomatoes critics seal … Continue reading →

The cornerstone of a good thriller is right there in the title to “Locked In,” a Famke Janssen star vehicle that loses track of the star almost as quickly as it tosses aside that essential building block. This British thriller … Continue reading →

I’m hard-pressed to think of a screen role Aaron Eckhart didn’t commit to, heart and soul. A-pictures and B-movies, bit parts or leads, he’s present, prepped and accounted for every time somebody yells “Action!” For his latest, he’s hit the … Continue reading →

“Sayen: Desert Road (Sayen: La Ruta Seca)” is a Chilean B-movie thriller about the further adventures of activist/investigator and freedom fighter Sayen, a two-fisted Mapuche woman plunging into a Big Conspiracy destroying her people and and enriching the corrupt in … Continue reading →

Karen Dionne’s Crimson Scribe-award winning, best-selling novel “The Marsh King’s Daughter” earns a sturdy, suspenseful big screen treatment by the director of “The Illusionist” and “The Upside.” Neil Burger benefits from having a compelling lead — Daisy Ridley — and … Continue reading →

“Fingernails” is a romantic curiosity with a touch of sci-fi, a film that puts The Observer Effect in a human relationships context. That’s the physics phenomenon/theory that you change something merely by the act of studying or “observing” it. This … Continue reading →

That critic’s rule that you’ve got to meet every film on something resembling its own terms in order to give it a fair shot gets a severe test with “Love Virtually,” an indie action rom/com that’s part live-action, part CGI … Continue reading →

As it closes in on 100 years since the Spanish Civil War, Spanish cinema is still debating the conflict, its lasting scars and the Catholic Church’s role in it — as victim of “leftist” reprisals, or as an authoritarian religion … Continue reading →

The easiest “tell” when you’re trying to figure out if what you’re watching is a B-movie or something further down the action budget alphabet is in the effects. How do the gunshots look and sound? How realistic is the bloody … Continue reading →

You have never seen Sandra Oh like this. The “Sideways/Killing Eve/The Same Storm” dramatic star has given us a dose of deadpan, here and there. But in “Quiz Lady,” she vamps through a ditzy, unfiltered and comically mercurial turn as … Continue reading →