Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: Radha and Roth and Ioan — “Seven Snipers,” One B-movie from Oz

Posted on June 2, 2026 by Roger Moore

It’s always encouraging to see good actors continuing to get work after any “hot” streak that their careers gave them winds down. What’s unfortunate is the poor quality of the only projects with half-decent paydays that are on offer. “Seven … Continue reading →

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Movie Review: The “Pressure” of D-Day Weighs on Ike and his Weathermen

Posted on June 1, 2026 by Roger Moore

“Pressure” is the sort of , stoic World War II drama that Hollywood and Britain used to turn out in the days when the World War II generation was still going to the movies. It’s built on a formula and … Continue reading →

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Movie Review: Beware the “Backrooms” of Your Worst Nightmares

Posted on June 1, 2026 by Roger Moore

Here’s a thriller that Maurice Escher could have production designed, with Salvador Dalí decorating the sets and Stanley Kubrick behind the camera directing. Not that Youtube phenom turned horror filmmaker Kane Parsons is the new Kubrick. But in turning his … Continue reading →

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Movie Review: Car Salesman “Breadwinner” turns Mister Mom Wannabe

Posted on May 31, 2026 by Roger Moore

Comic Nate Bargatze’s Hollywood studio comedy debut, “The Breadwinner,” is another “Mister Mom/Daddy Daycare” knockoff, a “Dad’s no good at kiddie caregiving” conceit that’s so moldy and out of date that the less said about this stiff the better. But … Continue reading →

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Series Review: Nic Cage’s a Private Eye Ensnared in “Spider-Noir”

Posted on May 28, 2026 by Roger Moore

Nicolas Cage dons the hat, mask, leather and goggles and plunges straight into the Spider-Verse in “Spider-Noir,” the latest Marvel spin-off to earn a series treatment. An appearance previewed way back in the animated “Spider-Man: Across the Spider-Verse,” predicated on … Continue reading →

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Classic Film Review: The Tragedy of Thatcherism as it Happened — “Looks and Smiles” (1981)

Posted on May 27, 2026 by Roger Moore

Finding love and then discovering there’s nowhere for it to go thanks to a contracting economy and government hellbent on “breaking” the working class is what Ken Loach’s very fine “Looks and Smiles,” a 1981 classic that offered the first … Continue reading →

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Documentary Review: Sate your Bond Appetite with Music — “The Sound of 007”

Posted on May 26, 2026 by Roger Moore

With the overdue annointing of a new James Bond coming any day/week/month or year now, those hunting for a 007 fix can be excused for tapping their watches and glowering at MGM/Amazon, which will be producing and releasing it. Eventually. … Continue reading →

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Movie Review: Even the most Righteous Revenge has a Cost — “Is God Is”

Posted on May 25, 2026 by Roger Moore

Writer-director Alaesha Harris makes a furious feature film debut with “Is God Is,” an ugly, unblinking slice of African American Gothic horror as relevant as a headline and as timeless as a parable. It’s about two fire-scarred sisters “always on … Continue reading →

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Documentary Review: Celebrating the NBA Player, Coach and GM — “Jerry West: The Logo”

Posted on May 24, 2026 by Roger Moore

“Jerry West: The Logo” is a glossy updating of the timeworn NFL Films era formula of documentaries celebrating athletes. It’s officially sanctioned, touching on only the uncomfortable corners that its subject — NBA legend Jerry West — approved of. West … Continue reading →

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Movie Review: The Revolution will be Shoplifted– “I Love Boosters”

Posted on May 23, 2026 by Roger Moore

Capitalism’s end game is taunted and satirized in “I Love Boosters,” a loopy, anarchic comedy about shoplifting, fashion, media mass indoctrination and This Cultural Moment. The latest from the rapper and songwriter turned filmmaker Boots Riley (“Sorry to Bother You”) … Continue reading →

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