Monthly Archives: July 2025

Movie Review: If the Priests Aren’t Up to it, “Dark Nuns” Will Handle this Exorcism

Posted on July 2, 2025 by Roger Moore

Back in the olden days, a local archdiosce might appeal to the Vatican for a little help when it came to demonic possession of good Catholic folk in their care. Before you could say “La plume de ma tante!” Max … Continue reading →

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Movie Review: Tracking a Syrian War Criminal down a French “Ghost Trail”

Posted on July 2, 2025 by Roger Moore

An obsessive search for justice and closure consumes a Syrian on the hunt for an Assad regime war criminal in “Ghost Trail,” a quietly gripping thriller about Syrian expats in Europe pinning their hopes on “international justice” as they conspire … Continue reading →

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Movie Preview: Another taste of what “Downton Abbey: The Grand Finale” holds in store

Posted on July 2, 2025 by Roger Moore

Why, a Jazz Age scandal, of course. The “Lady” Mary does what the rich folks did, and the common folks now do. Sept.12.

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Movie Review: Korean Catholics have their own way of Exorcising Demons — “The Priests”

Posted on July 1, 2025 by Roger Moore

Well Go USA is about to unleash the sequel to the Korean exorcism thriller “The Priests,” titled “Dark Nuns,” in North America. So they figured they’d put the original 2015 hit out there for people who want to catch. Not … Continue reading →

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Movie Preview: Colman Domingo’s the MC and Glen Powell’s “The Running Man” in Edgar Wright’s Remake

Posted on July 1, 2025 by Roger Moore

Josh Brolin’s the recruiter/rules “explainer” in this version of the Stephen King novel. There’s William H. Macy and Wright’s boy Michael Cera and lots and lots of gonzo Edgar Wright touches. Powell? He’s about as uninhibited as we’re likely to … Continue reading →

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Movie Review: Offerman’s a “Sovereign” who thinks God and Guns and misreading the Constitution can beat Banks, Courts, Cops and The System

Posted on July 1, 2025 by Roger Moore

Smart, tense and thought provoking, “Sovereign” is a movie of its moment — thirty years of American moments. An “inspired by true events” thriller built around a stunning performance by Nick Offerman, it offers insights into Red State America and … Continue reading →

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