Tag Archives: netflix

Netflixable? “Girl Haunts Boy,” a teen romance for tweens

Posted on December 28, 2024 by Roger Moore

Here’s an exceptionally mild-mannered Netflix teen romance built around a couple of cute young leads made “stars” by earlier Netflix outings. Peyton List (“Kobra Kai”) plays a flapper teen who swipes a magic ring and dies in 1928, only to … Continue reading →

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Netflixable? Dutch underworld’s less of a treat in “Ferry 2”

Posted on December 24, 2024 by Roger Moore

The Dutch underworld saga of “Ferry” Bouman finishes with something like a flourish in “Ferry 2,” the sequel to a gritty rise-of-a-“Pill King” in the Amsterdam underworld tale. But a lot of what precedes that flash finale is pretty frustrating, … Continue reading →

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Netflixable? Black Women serve in WWII — “The Six Triple Eight”

Posted on December 21, 2024 by Roger Moore

The only all-Black Women’s Army Corps united to serve in World War II n Europe is fondly remembered in Tyler Perry’s “The Six Triple Eight,” a polished, sentimental and old fashioned picture that points out to the culture at large … Continue reading →

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Netflixable? Investigator meets a Murder Suspect and imagines herself “In Her Place (El lugar de la otra)”

Posted on December 19, 2024 by Roger Moore

The lone woman on a team investigating an instantly-notorious and very public murder finds herself understanding and even envying the murderess in “In Her Place,” a thriller with a message about the lot of women in 1950s South America, and … Continue reading →

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Netflixable? A TSA agent is blackmailed into letting somebody’s “Carry-On” slide by

Posted on December 14, 2024 by Roger Moore

The “talking villain” is played by Jason Bateman. So as you might guess, he damned near talks us all to death. The scenario is within the realm of possibilities, but juiced and dragged-out with so many eye-rolling “Hollywood” twists that … Continue reading →

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Netflixable? Jolie as Callas, “Maria,” a Diva at Death’s Door

Posted on December 13, 2024 by Roger Moore

“Maria” is an operatic bio-pic in every sense of the word. In director Pablo Larraín’s vision of “La Callas,” the diva’s diva Maria Callas, there is tragedy off-stage but serenity in the spotlight, an artist wholly prepared and fully immersed … Continue reading →

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Netflixable? Keira and Ben Whishaw try to survive London’s “Wick World” of “Black Doves”

Posted on December 12, 2024 by Roger Moore

The one hard and fast rule of streaming action series these days is that they have to be page-turners. The plot has to not just lure us in, but repeatedly add wrinkles to drag the viewer into that next episode. … Continue reading →

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Netflixable? “Mary” inspires a Biblical biopic

Posted on December 8, 2024 by Roger Moore

Long before Joseph of Nazareth reveals himself to be an action hero, saving the Virgin Mary and the baby Jesus from rapacious Romans, the not-entirely-Biblical, not-exactly historical bio-pic “Mary” has lost its way. It’s not the great Sir Anthony Hopkins … Continue reading →

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Netflixable? Parole violators don’t stand a chance against “Officer Black Belt”

Posted on December 2, 2024 by Roger Moore

Absurd on its surface and dark hearted to say the least, “Officer Black Belt” is a violent thriller that flirts with being a Korean action comedy. If you can get by the murderers, rapists and many child molesters brought to … Continue reading →

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Netflixable? Santa’s helpers take it off — “The Merry Gentlemen”

Posted on November 27, 2024 by Roger Moore

Netflix’s conquest of “The Hallmark Holiday Movie” as a genre continues with “The Merry Gentlemen,” a snowy tale of Santa season stripping to save the family bar. These movies follow a fairly strict formula, and this one — scripted by … Continue reading →

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