Netflix preview: Idris Elba is a “Concrete Cowboy”

This is a big departure for Elba, a father-son drama about healing and child rearing in a better late than never sense. Lee Daniels had a hand in it, and could use a winner. https://youtu.be/utFcqVy0FtI

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“Save Ralph” aims to turn the tide against animal testing — with Taika Waititi, Ricky Gervais and Olivia Munn and animation

It’s an animated short that will be unleashed on the world April 6.

Taika W. voices the rabbit, Gervais is the director we hear.

Olivia Munn, Zac Efron and Tricia Helfer are also in Spencer Susser’s short film. Take a look at this teaser.

UPDATED: The complete film has since been posted. You can find it here. It’s still a short film, but it’s longer and harder to watch than the teaser, which is still posted below.

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Movie Preview: Anthony Hopkins keeps his hired assassin busy — “The Virtuoso”

This thriller stars Anson Mount as a shooter who creates “collateral damage,” Abbie Cornish as a waitress he’s sweet on and David Morse as a nosy cop.

“The Virtuoso” is an April 30 release, and reminds us that roles like “The Father” don’t come along often, even for the very best actors alive.

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Movie Review: Shatner, Smart and Lloyd have a “Senior Moment”

Christopher Lloyd is 82 years young, still getting laughs with the wild hair and his way with a punchline.

Jean Smart? The “Designing Woman” is 69, and still getting the guy.

William Shatner has them both beat. He gets online just long enough to thank fans for birthday wishes, and damned near breaks Twitter. He turned 90 just the other day. And yes, he’s still a headliner.

“Senior Moment” is a thin, faintly amusing spin in the late life romance lane, a Palm Springs rom-com about a guy finally finding a woman he loves more than what looks to be a ’59 Porsche 356. It’s one of those movies that’s more “Well, thank heavens somebody made a movie for that demographic” than entertaining, but we don’t pick on stars chasing Betty White past 90.

Shatner’s Victor Martin, a retired Air Force major who likes his freedom and loves his trophy Porsche. He and pal Sal (Lloyd) tool around town, ogling women who’d be too young to date their grandsons, if they had grandsons.

“Like two hard-boiled eggs doing the salsa,” Victor purrs at one young lady entirely too young to be caught dead using a crosswalk in Palm Springs.

Victor’s a character around town, a “host” at their favorite piano bar and a guy the cops keep giving warnings, because 80something or not, he’s still a speed freak.

But one stoplight joke-off with a “cholo” in a lowrider later, all that goes away. The car’s impounded and license-free Victor’s stuck in Ubers, taxis, on foot or traveling by bus.

“Only losers ride the bus.”

Naturally, that’s Victor stumbles into Cuckoo Cafe owner Caroline. As he drops his groceries, fends off heat stroke by sticking his head in the supermarket ice cream cooler and tries to find his mojo without the car he always thought of as a you-know-what magnet, Victor has an epiphany.

He’s sweet on Caroline.

Sure, “I like fast cars and you like tortoises (desert tortoises, which she’s trying to save).” He’s into junk food and she’s Ms. Organic.

“I thought ALL wine was organic!”

But maybe, is this artist-rival for her attention (Esai Morales) can be fended off, they can find a middle ground. Maybe there’s time for a little romance and a bed where she can share a joint with him and he can force down a little blue pill.

There are a few jokes in the script, but even though director Giorgio Serafini is no old hand at comedy (he’s a veteran of B-movies like “The Good War” and “Game of Death”), he has to realize he left a lot of laughs one the table.

There’s a bit of goofy fun in the shyster lawyer, driving test instructor and “life coach” Don McManus prepping Victor to re-take his driving test with a video game, two-on-two basketball and playing three-card monte at poolside, where Victor has to fight the “distraction” of young women in swimsuits.

Profanity and sexual joking around aside, “Senior Moment” suffers from that “It’s harmless enough” label easily slapped on too many “comedies for seniors.”

The lecherous old guy stuff may play to Shatner’s demo, but feels kind of winded and out of date here.

There’s some cute bonding with the “cholo,” Pablo (Carlos Miranda) who tricked Victor into the drag race that cost him his license. And a sentimental story about a cuckoo clock in Caroline’s cafe isn’t quite the groaner it almost becomes.

But giving Lloyd too little to do, and not having funnier players in Victor’s posse are both lost opportunities. Smart can still hit a punchline and isn’t given anything amusing to play or say here.

And when Victor is introduced at Captain Hook’s piano bar, we face the biggest comic letdown of all. Nobody begs him to sing.

If there’s anything an old trooper like Shatner knows, it’s how hilarious the culture thinks his singing is. Come on, Bill, give the people what they want!

MPA Rating: unrated, sexual situations, profanity, marijuana, alcohol

Cast: William Shatner, Jean Smart, Christopher Lloyd, Carlos Miranda and Esai Morales.

Credits: Directed by Giorgio Serafini, scripted by Kurt Brungardt, Christopher Momenee. A Screen Media release.

Running time: 1:32

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Movie Preview: Jeffrey Dean Morgan faces down and exploits “The Unholy”

Good Friday will be VERY good for horror movies this year.

At least in terms of volume. Here’s another April 2 release.

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Movie Preview: Casey Affleck’s a shrink who loses a patient — Sam Claflin is her brother out for revenge

April 2 this one, which also stars Michelle Monaghan.

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Movie Preview: Blind since childhood, and now hearing “The Voices”

April promises a horror tsumani, with this April 2 thriller coming in with the tide.

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Movie Preview: Brit horror headed our way in April — “The Banishing”

This April 15 release, a horror period piece, landed a few famous British character actor faces — Jessica Brown Findlay, John Lynch, Sean Harris among them. Shudder has it, so we’ll see what they’ve come up with. I prefer my horror British period piece oriented.

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Netflixable? “The Yin Yang Master” is a buffet of fantasy tropes from China

“The Yinyang Master” is a fantastical, fanciful new sword-and-sorcery franchise from China. It doesn’t matter that it’s a violent, hilariously wearying and cluttered collection of tropes, character “types” and action beats. Its sequel has already come out (“Dream of Eternity”) and is on Netflix, too.

So, in for a fen, in for a yuan I guess.

There’s a lot to take in — flying martial artists, spectacular brawls, “Scale Stones” and sigils, fantastic beasts, CGI demons in the Demon Realm and a villain with a transgender edge.

I think that maybe the dismembered hand monster is my favorite, although the cuddly Red Ghost, sort of Hellboy as Sumo Wrestler, is a close second.

The plot? Um, where does one begin?

The emperor of the demon realm wants the Scale Stone, badsass Qinming (Kun Chen) and his ferret minions steal it from Captain Boya (Chuxiao Qu) of the Imperial Guards. Chief Baini (Xun Zhou) of The Defenders considers Qinming a traitor. But as they used to be a couple, maybe there’s more going on there.

Boya is disgraced for losing that stone, and to recover it and arrest Qinming he teams with the first fighting pixie (Shen Yue) to tell him he’s “full of s–t!”

There are fights with the Red Ghost and Raven Hound Twins, this startling, black-hooded four-armed warrior with a porcelain face mask turns out to be ferrets standing on each other’s shoulders inside a cloak, and the Snow Queen (Cici Wang) flings ice darts and fights dirty.

The dialogue is redolent of every other fantasy tale, East or West.

“You will help me return to the mortal world. That is your destiny!” (in Mandarin with subtitles, or dubbed into English).

The occasional flash of humor helps lighten this smorgasbord of sword-and-sorcery. “I can’t watch you fall any more. So for now, I think we’re done.”

A lot more could be done with that, but maybe the translation is leaving that light touch out.

“I used to get my demonic goods from Yanyan Le,” is a line George Lucas could have concocted to show a very old “universe” where business is business.

It doesn’t matter where films based on video games come from, they’re always most fascinating to players of the game –this fight getting you to that “level,” and so on. This has a “only for fans of the game” vibe. Even by origin story standards, it’s a mess.

The rest of us have to sit through two hours of endless “Harry Potter/Lord of the Rings” exposition, a parade of creatures, characters, talismans, spells, old grudges held by dark forces, flashbacks that pointlessly add a backstory, and challenges.

Outsiders can dive into this colorful, splashy mayhem for the costumes, critters and set pieces. But while the acting is competent, the only moving “death” is an animal’s and the only interesting performance is by the villain expressing his character’s feline-feminine side.

MPA Rating: TV-14, bloody violence, profanity, fart gags

Cast: Kun Chen, Xun Zhou, William Wai-Ting Chan, Shen Yue, Chuxiao Qu, Cici Wang

Credits: Directed by Li Weiran, script by Chialu Chang and Evan Jian, based on the “Onmyoji” video game. A Netflix release.

Running time: 2:01

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“Palm Springs” be damned, don’t get sucked into Hulu

Hulu is the one streaming service whose wares I struggle as I try to cover and review, emphasis on the word “try.”

Rarely do they pitch anything. They expect press folks to visit their website constantly and see what’s coming up and request review versions. Or they expect you to buy subscriptions, I guess, and see it the way everyone else does.

Hulu is alone among the many streamers to have this “sit around and wait for requests” approach to publicity, but whatever. At least Disney+, Amazon, Netflix etc. are on the ball.

The bigger issue with them is subscription business practice. They are, like some online subscriber sites and assorted other “FREE, but give us your credit card number” online come-ons, prone to shenanigans.

We all know what Netflix does. Sign you up for a “discounted” service, then jump you up to their standard, pricier level when you aren’t paying attention.

I tried Hulu for a month to catch up on their product (one potential Oscar nominated film) in late Dec., canceled the service the first week in Jan., and what do I see on a March credit card statement?

They didn’t charge for Jan or Feb., but March they magically “forgot” I canceled, and snuck a charge in there.

Contact them to fix this, and they’re “We don’t correct mistakes that work out to our advantage, call your bank.”

So basically I have to get a credit card company to dispute and block all charges from here into infinity for a service I canceled two and a half months ago, because Hulu can’t be bothered to deal with people who complain about their scummy business practice. That means canceling a card and getting a new one.

All because of an unscrupulous streamer.

Thanks, Hulu. And adios.

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