A fine finish and some good performances recommend “Fancy Dance,” a melodramatic mystery with coming-of-age touches set in and around the Seneca-Cayuga Reservation of Oklahoma.
It’s a solid star vehicle for Lily Gladstone, who has spun her “Killers of the Flower Moon” acclaim into status and some plum roles — TV’s “Under the Bridge” among them.
Gladstone plays Jax, a Seneca lesbian who has made theft and drug dealing her way of getting by, which becomes a problem when Indian Child Protective Services comes looking for her niece.
Rooki (Isabel DeRoy Olson) is staying with her auntie and waiting for her mother’s return.
But mother Tawi isn’t just absent. Like scores of Native women every year, she’s disappeared.
She was a stripper. This is oil country, where “man camps” of riggers are every bit as fraught as as depicted in “Wind River.” Roki may still hope Mom shows up in time for the mother-daughter dance competition at the Tulsa Pow-Wow, but Jax has her grim doubts.
The Feds and the local tribal police, in the person of Jax and Tawi’s half-brother, J.J. (Ryan Begay) keep kicking “jurisdiction” of the case back and forth. The locals have mounted repeated searches and Jax hands out photo fliers in all the worst places. She’s not going to let it go.
But when Child Services show up and custody of Roki is switched to the girl’s granddad, Jax and Tawi’s remarried father (Shea Whigham), getting that kid to the pow-wow takes precedence.
Maybe by dipping back into her old life and grabbing the kid for a road trip, Jax can solve two problems at once. Or make things a whole lot worse.
Gladstone and Olson click as aunt and niece, Seneca women who switch to the Seneca langauge whenever they’re trying to get out of a jam with white people or white authority.
But the white folks here seem nothing if not reasonable. Robbing a hapless fisherman of his money and truck, stealing from women in the changing rooms at stores, shoplifting gas and whatever else the convenience store offers is no “example” to set for a child.
Gladstone takes this character deep into unlikeable, but makes her mark via the mask of stoic doggedness Jax wears. She is human, craves the company of her favorite stripper (Crystle Lightning) and knows every pilfering, squatting and cop-dodging trick in the book. But damned if she’s going to ler her sister’s disappearance go unexplained.
Whigham brings that gravitas-with-an-edge presence to the grandfather figure, making us wonder about his motives and maybe how his fatherly failings impacted two daughters who both wound up on the wrong side of the law and the rough side of their culture.
The melodramatic moments start to pile up on that “road trip” — TV coverage of the “kidnapping,” the arrival of “the gun,” etc.
But with good players leading us into a fascinating cultural milieu, “Fancy Dance” comes off. Director and co-writer Erica Tremblay (TV’s “Reservation Dogs”) even manages to deliver tears just as the closing credits roll even if we can guess exactly where that finale takes place and some of what might happen there.
Rating: R, drugs, violence, sexual situations, profanity
Cast: Lily Gladstone, Isabael DeRoy Olson, Crystle Lightning, Ryan Begay and Shea Whigham.
Credits: Directed by Erica Tremblay, scripted by Erica Tremblay and Miciana Alise. An Apple TV+ release.
Running time: 1:32