Movie Review: “Submarine”

“Submarine” is an eccentric coming-of-age comedy from Britain, that rare teen comedy where the kids aren’t gorgeous, the hero isn’t heroic and the object of desire has a lot of reasons why she isn’t necessarily desirable.

And no, it has little or nothing to do with submarines.

Actor (“The IT Crowd”) turned writer-director Richard Ayoade’s film of Joe Dunthorne’s novel leans heavily — a bit too heavily — on “quirky” as we explore the self-important autobiography of young wordsmith Oliver Tate (Craig Roberts), a teenager who informs we “Americans,” in an opening credit, that “Submarine; is an important film” which we should treat “with respect.”

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Movie Review: “Conan the Barbarian”

Take away much of the myth, most of the sorcery and all of the humor of the 1982 John Milius-Arnold Schwarzenegger version of the sword and sorcery epic “Conan the Barbarian” and you’ve got an idea what the new  “Conan” is like.

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Movie Review: “Winnie the Pooh”

“Winnie the Pooh,” Disney’s latest film revival of A.A. Milne’s “willy, nilly, silly old bear,” is longer on charm than it is on laughs. Or length. But it’s a treat for children making their first trek to the multiplex and for parents and grandparents with fond memories of the Hundred Acre Wood.

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Movie Review: “Zookeeper”

We want the same thing from our comedians that we expect of great ballplayers – that they “leave it all on the field.” And Kevin James does that. From his various team-ups with Adam Sandler to “Paul Blart: Mall Cop,” James hurls himself at the physical shtick and never lets on that he knows he’s not making art.

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Movie Preview: “The Call”

Stories of 911 operators who save lives, or blunder and don’t save them, are a staple of the evening news. So “The Call,” about one such operator (Halle Berry) and the murder she facilitates, by accident, seems like a natural.

In this case, the murderer and the operator have a connection. Looks creepy enough. And if it seems a bit beneath the Oscar winning Berry, it’s been a long while since she had a hit.

“The Call” opens March 15.

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Movie Review: “Page One: A Year Inside the New York Times”

Documentary filmmaker Andrew Rossi spent “a year inside The New York Times” for his film, “Page One,” capturing one of the world’s great newspapers as it struggled, along with every other newspaper, to stay relevant and profitable in a media landscape utterly upended by lightning-fast change. What he got for his effort was a colorful “how the news is made” movie capturing some very smart, very committed reporters and editors adapting to the changing rules in our brave new online news world.

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Movie Review: “Fanny, Annie and Danny”

“Fanny, Annie  & Danny” is a daft pitch-black dark comedy about family dysfunction that plays out over painfully ugly family Christmas celebration.

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Movie Review: “Another Earth”

Another version of Earth appears in the heavens, close enough to us for the human race to ponder the possibilities of a world that is “a mirror to our own” in “Another Earth.”

But this quiet, intimate drama is science fiction in name only. The wildly improbable set-up is merely the jumping off point for an exploration of grief, guilt and redemption that plays out almost entirely between two people thrown together by circumstance.

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Movie Review: “Limitless”

Bradley Cooper graduates from supporting roles in ensemble pictures to leading man and handles the transition with skill, if not a lot of charisma, in “Limitless.” Cooper (“The Hangover,” “The A-Team”) has to be convincingly dull and believably brilliant in this sci-fi tale of a writer who gets hooked on pills that make him a lot smarter.

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Movie Review: “One Day”

Not a lot of love affairs, real or cinematic, can have it said of them that they end better than they begin.  But “One Day” ends with a heartfelt flourish that was sorely missing from its first 90 minutes. This episodic romance works in fits and starts, and captures a bittersweet faux British turn by Anne Hathaway, plainly mismatched in being paired with real-life Brit Jim Sturgess.

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