Category Archives: Reviews, previews, profiles and movie news

A reminder to parents who might consider checking out the suspenseful Canadian drama “Les Notres” in a cinema. It’s rude to throw things at the screen, and not great manners to shout at it. But variations of “Oh COME on!” … Continue reading →

“Gaia” is a South African trapped-in-the-forest thriller that trips up expectations more than enough to keep us interested. It’s an eco-horror tale where who and what we root for and against are flipped and flipped again as the story tales … Continue reading →

Kevin Hart waters down his ill-tempered, bug-eyed “little man with a foul mouth” shtick for “Fatherhood,” a perfectly-pleasant if predictable and right-on-the-cusp-of-maudlin single parent dramedy. Hey, that’s what happens when you team any edgy (OK, “edge-adjacent”) leading man with Paul … Continue reading →

Say what you like about “Lord of the Flies” and its many, many screen (and literary) imitations over the decades. That story, about the savagery barely civilized out of our young, even and especially the “well born” among them, still … Continue reading →

The stately, intimate and pictorially perfect “Center Stage” was Hong Kong filmmaker Stanley Kwan’s “Citizen Kane” styled experiment in screen biography. He set out to tell the tragic story of a legend of early Chinese cinema, a starlet whose beauty … Continue reading →

The Hollywood shorthand we remember as “high concept,” a “pitch” you could squeeze into a single sentence, reached its zenith in the 1980s. As SOME of us never gave it up, let’s trot it out to describe Apple’s new ’80s … Continue reading →

A decent gimmick and half an idea for a movie surrounding it bedevil “Songs for a Sloth,” a coping-with-loss comedy that — pardon me — just hangs there. There are entirely too many “slowly” jokes to squander on a single … Continue reading →

The burning question, carried over from each “Rogue Warfare” thriller to the next, is “Are they getting better?” Is “Rogue Warfare: Death of a Nation,” the best yet? The reasons the sequels exist are still here — cheap, desert southwest … Continue reading →

The phrase, “You look like the ghost of a Victorian prostitute” could only mean one thing. “Downton Abbey” is BACK! Actually, it’s the second season of “Flack,” star Anna Paquin‘s PR version of “Nurse Jackie,” a show with a drug … Continue reading →

It’s nigh on impossible to single out highlights from the joyously upbeat concert film, “Summer of Love (…Or When the Revolution Could NOT be Televised).” Marilyn McCoo and Billy Davis, Jr. sit, in tears, as they see their performance with … Continue reading →