Author Archives: Roger Moore

They have a little girl Daddy did something he got away with. And the house Knows…

The 1982 Blake Edwards farce “Victor/Victoria” was a landmark in the mainstream cinema’s treatment of gay subject matter on the big screen, and a giddy, Oscar-winning blockbuster to boot. Not remotely as daring as the French “La Cage aux Folles” … Continue reading →

Grant Judd Apatow this. Pete Davidson, perhaps the quintessence of “comic as acquired taste” as a member of the cast of “Saturday Night Live,” grows on you during “The King of Staten Island.” By the third act of this highly … Continue reading →

The Polish word for “consent” is “zgoda.” In Italian, it’s “consenso.” But mere translations don’t do justice to the chasm that separates them in meaning from how that word is used in “woke” North America. Not if the Polish film … Continue reading →

The Japanese broadcaster NHK has a spot on many US cable systems, and on PBS affiliates’ HD alternate programming channels. This documentary series is now mixed in with the news, music and travel programming that it carries. Exquisite detail, fascinating … Continue reading →

A pervy lump of a landscaper gets his revenge by putting on the tights and lacing up the boots in “Wrestlemassacre,” a splatter film perfectly summed up by its title. It’s an amateurish abomination of a splatter thriller thrown together … Continue reading →

Paging all “Redskins,” “Braves” and “Indians” fans…  

COVID numbers are spiking in states like Texas, Florida Michigan and NC and others. But theater owners expect everybody to open by July 17 just to cash in on Christopher Nolan’s “Tenet.” Unless Warner Brothers blinks. https://www.indiewire.com/2020/06/tenet-july-17-theaters-open-1202235450/

Its notoriety may be more historical than erotic, almost ninety years after its release. But the German drama “Madchen in Uniform (Girls in Uniform)” retains its subtle power to move, a dated but still impressive landmark in queer cinema history. … Continue reading →