Author Archives: Roger Moore

A supernatural thriller also starring writer/director Derek Ting, it’s about ancient “dust” conferring superpowers. And we’ll see exactly what that leads to in January when “Agent Revelation” (formerly titled “Agent II”) comes our way.

The teaser trailer only gives away a little — Nov. 21, a Caribbean/South American setting, a seriously salsa-flavored beat.

Wait, didn’t “Ip Man: The Finale” come out just last year? Ip Man, that martial artist who never fails, the movie hero with more farewell tours than Cher, is back for “Ip Man : Kung Fu Master,” a solid set … Continue reading →

Alicia Silverstone has her best big screen role in ages in “Sister of the Groom,” a “big fat Jewish wedding” comedy in which she has the title role, but which she apparently had to soldier through in the last stages … Continue reading →

The voice is one long never-sobered-up slur, and the appearance — wheelchair-bound, face in need of spittle, spilled-booze or what-have-you removal — frighteningly like another modern icon. Can it be that Irish singer singer, songwriter Shane MacGowan come has come … Continue reading →

Every year a Top Ten film list is an exercise in memory, judgement calls and hair-splitting. A critic wanders the wilderness of four cinematic seasons like Diogones with his ancient Greek lantern, searching for “an honest man,” or in our … Continue reading →

It’s about time the French got around to their own “Step Up” movie. Not that they credited the American creators of those movies or built “Break” to be a part of what we’d call the “Step Up Universe.” So here … Continue reading →

“Hunter Hunter” is a nasty little piece of work, a thriller that points us in obvious directions and takes its time getting to its destination. But nasty. If the object of horror is “to horrify,” this predators-become-prey tale delivers and … Continue reading →

They’re on the road, uprooted but resilient, migrating with the seasons, following work or just avoiding the bitter cold or murderous heat. But don’t call them “homeless.” “I’m not homeless,” “Nomadland” van-dweller Fern, played by Oscar winner Frances McDormand, explains … Continue reading →

“Rose Island” is a lightly amusing if somewhat labored Italian account of one of the oddest offshoots of 1960s explorations of the limits of “freedom.” “Micronations” they’re called, and a few bold experiments of this sort — creating your own … Continue reading →