Author Archives: Roger Moore

Creepy looking horror tale headed our way in Feb.

Murder, pedophilia, blackmail and morbid obesity figure into the plot of “Wade into the Water,” an odd and intriguing debut feature from director Mark Wilson and screenwriter Chris Retts. It’s “Taxi Driver” meets “Napoleon Dynamite” — a quirky, dark mystery-thriller. … Continue reading →

Here’s a charmless little nothing riff on “Sweet Home Alabama” starring nobody you ever heard of and filmed in everybody’s second-favorite Beaufort, the one in South Carolina. “Stars Fell on Alabama” takes its title from a Big Band era ballad, … Continue reading →

A young woman’s flinty, brooding recovery from the devastation of losing a baby is the beating heart of “Pieces of a Woman,” an intimate if somewhat problematic melodrama from the Hungarian filmmaker Kornél Mundruczó (“White God”) and his frequent collaborator, … Continue reading →

Yes, this is an interesting biography to finish off in the middle of a racist/treasonous coup attempt, but there you go. And since Spike Lee and Denzel’s bio-pic hagiography on the same subject is still worth watching, I thought I’d … Continue reading →

The camera tracks down what is unmistakably a young woman’s naked back as the voice of Stephen Fry, throwing himself into an amusing dudgeon, reads from the letters of the puzzle print-maker M.C. Escher, griping about “the hippies in San … Continue reading →

“Cicada Song” is a sometimes compelling mystery-thriller set in America’s heartland, a missing persons story set in remote, rural Missouri. The feature debut of writer-director Michael Starr has many of the requisite ingredients of a solid indie outing — a … Continue reading →

As I’ve said before, that Craig Fairbrass is a proper British villain. A hulking, brutish mug, everything about him says Man of Action/Bloke-who-doesn’t-muck-about. He makes solid British B-movies — thrillers with a caper, cash, some cars, some cuts and gunplay, … Continue reading →

Jan 14 on HBO Max.

Here’s how a New York Times critic made mention of actress and transgender icon Candy Darling‘s first appearance in a reviewable play, “Glamour, Glory and Gold” on a New York stage. “Hers was the first female impersonation of a female … Continue reading →