Author Archives: Roger Moore

Darius Marder’s “Sound of Metal” takes us on an immersive Elisabeth Kübler-Ross journey into deafness. It’s poignant and harrowing on the most personal level version of what one might go through when one of your most vital senses, hearing, all … Continue reading →

A strong producer’s hand has saved many a filmmaker from one’s worst impulses, and that’s what seems to be missing from the promising, well-cast and handsomely mounted romance “Sylvie’s Love.” This star vehicle for Tessa Thompson has a solid supporting … Continue reading →

If you know Eddie I., you know he’s all about three things — being hilariously biting, cross-dressing and marathoning for charity. He’s practically mental about the last. He’s jogging through a string of marathons this very moment. Go to the … Continue reading →

The problem with mob justice is that reason and rule of law and due process are tossed aside in the heat of the moment. Mobs are the trapped in the gullibility of groupthink, easily led and just as easily misled. … Continue reading →

Oh my. No words. Here anyway.

And now, here’s a musical bio-pic for everybody who wondered what “Amadeus” would have been like had they left it to the Germans. “Louis van Beethoven” may sound like the title of a John Belushi “Saturday Night Live” sketch. But … Continue reading →

Edi Gathegi plays a man staring at a life sentence through the dingy glass of a solitary confinement cell in “Caged,” a thriller about what this sort of isolation does to someone’s mind. It’s a fairly run-of-the-mill tale from “inside,” … Continue reading →

The folly of Mel Gibson backing a former assistant with writing credits on “Apocalypto” and creating of TV’s “Boss” for Gibson’s most recent passion project, “The Professor and the Madman” is obvious, even to Gibson. They ended up in court … Continue reading →

Never ever let that “Grace” middle name fool you. Chloe Grace Moretz is a badass. She lets her inner tough-broad take charge in “Shadow in the Cloud,” one of the last movies to come out in The Plague Year, and … Continue reading →