Author Archives: Roger Moore

It’s an iconic set up, a “Show us what you’ve got” moment common to a whole lot of movies about “wheelmen,” the guys who drive the getaway car. The hoods have shown up in a little old lady Mercedes, an … Continue reading →

Don’t want to get too carried away about how much this new Brit zombie movie “Alive” sucks, but the “doctor” in a painfully amateurish opening scene gives “bad news” by putting on and taking off his glasses half a dozen … Continue reading →

Not every actor in his position, once more famous than he is now and a long time between hit films or must-see series, gets the parts that Ryan Phillippe does. Even the B-movies have possibilities, and if not high-mindedness, at … Continue reading →

An Indian wedding, a kidnapped maharajah and Mark Strong as “a real detective” feature in this March 31 action comedy that is the third teaming of Sand Man and “Jenn.” Could be fun. Probably not, but let’s see what we … Continue reading →

Lily Collins plays a wealthy, powerful family’s daughter who learns about their skeleton in the attic — actually hidden in a bunker in the woods of the family estate — in “Inheritance,” a lumbering thriller from the director of the … Continue reading →

The horror writer and his son are having quite the big bounce in Hollywood paydays, and this June 2 release adds to that and yet barely scratches the surface in the back catalog of Stephen King writing that could be … Continue reading →

Maybe it’s better than the trailer.

“Mixtape” is a word loaded with meaning to generations, a form of musical shorthand with one person curating a collection of songs to express their feelings for someone else, to make a statement about who they are through their musical … Continue reading →

“Little Dixie,” a down and dirty B-movie set in Republican Oklahoma and drug cartel Mexico, makes what I’d consider its first false move over 80 minutes in to its 105 minute running time. That, as aficionados of B-movies know, ain’t … Continue reading →

“Petit Mal” is the ever-so-precious title of a minor Spanish melodrama about three twentysomething women who try a “throuple,” a lesbian menage a trois, on for size. Director, writer and co-star Ruth Caudeli has crafted an intimate, quiet, self-consciously arty … Continue reading →