Author Archives: Roger Moore

Netflix has this Oscar-bait in theaters this month, on the streamer in early November. How great is it seeing Jodie Foster on the big screen again? Rhys Ifans also stars in support of Annette Bening in the title role.

Old World War II films that age well tend to have an artist behind the camera and eschew patriotic cheerleading for a weary “war is futile” but “fascism must be stopped” messaging. Carol Reed’s “The Key” brings the cynicism of … Continue reading →

Aaron Eckhart makes his “boxing picture,” playing a back-alley fighter who has a debt to Big Mama (“Secrets & Lies” star Marianne Jean-Baptiste, looking and sounding fierce). Bella Thorne is the Southern fried tattoo billboard who seems to believe in … Continue reading →

Rebecca Miller’s “She Came to Me” dances and teeters, staggers and skips along the line separating the quirky from the indulgent. It’s a high-minded, well-cast romantic comedy whose easy laughs come from two Oscar winners and Peter Dinklage, a film … Continue reading →

Ken Loach, one of Britain’s most politically conscious/working class savvy filmmakers (“The Wind that Shakes the Barley,” “It’s a Free World,””Jimmy’s Hall”), takes his shot at intolerance for displaced persons in his latest. Looks excellent. As one would expect.

“Filip” is a Polish World War II tale about a Jew, scrambling to survive the ongoing Holocaust, having his revenge by bedding every German woman he can — soldiers’ wives especially — while hiding out in Frankfurt. Based on an … Continue reading →

Director Danny Tedesco gave us the acclaimed documentary “The Wrecking Crew!” a film that celebrated the unsung heroes of the songs of the ’60s, LA’s most popular recording studio session musicians. They were the players who always got the call … Continue reading →

Terence Davies, a Liverpudlian who made a name for himself with semi-autobiographical films such as “Distant Voices, Still Lives” and serious-minded literary (“The House of Mirth,” “The Neon Bible”) and stage (“The Deep Blue Sea”) adaptations has died. He was … Continue reading →

Sometimes you have to use the term “classic” the way it is applied, in property tax and collectible terms, to automobiles. Anything over 25 years old is a “classic.” Yes, that means most models of the Ford Taurus can be … Continue reading →

Any list of the best vengeance thrillers of recent vintage has to include Park Chan-Wook’s “Oldboy” andHans Petter Moland’s “In Order of Disappearance.” Add your favorite here, because there are lots of examples through film history, movies about a great … Continue reading →