Author Archives: Roger Moore

Danes is the concerned mother, Parsons is the more “accept whatever comes” father, a tolerant couple in the Big City looking at pricy private schools for a boy who likes to dress up like a ballerina, or princess. Parsons runs … Continue reading →

A little rude, a lot crude and heaping helping of Steve Coogan winces and Paul Rudd double-takes are what this trailer promises. Will “Ideal Home” pass the Alison Pill “Child Services” test? We’ll find out June 21.

Here’s a peek inside the Nobel Prizes folded into a marital melodrama that pairs up Glenn Close and Jonathan Pryce. He’s the “Great Writer,” she’s the former student who married her teacher, but who was probably a talented writer in … Continue reading →

Here’s a pet peeve about the acting one typically sees in horror movies. Few performers take things far enough to give us a sense of what it would be like to confront the truly unexplainable. An encounter with some supernatural … Continue reading →

The human computers of “Hidden Figures” aren’t the only “forgotten women” of the early days of America’s space program. While the names of the Mercury Seven, the crack fighter-jocks/test pilots turned astronauts are chiseled into history, with monuments for them … Continue reading →

This should be a spinoff from “John Wicke.” The idea of a hospital run for the murderous, the larcenous, injured “in the line of duty?” Jodie Foster, Sterling K. Brown, Jeff Goldblum, Jenny Slate, Sofia Boutella, Charlie Day, Dave Bautista … Continue reading →

There’s a statue I always make a point of passing by whenever I’m in Central Park in Manhattan. It’s of Balto, one of the “hero” sled dogs of Nome, Alaska’s diphtheria epidemic of 1925 and the subject of a pretty … Continue reading →

The groaning pills and pot gags, the bad puns, the middle-aged paunches. Yes, Broken Lizard is back, 17 years after the “How lowbrow can we go?” success (ahem) of “Super Troopers,” the aging comedy ensemble, beloved by stoners, have crowd-funded … Continue reading →

“Duck Butter” harks back to the earliest years of the Queer Cinema, “coming out” and “coming of age, sexually” dramas such as “Lianna” or “Go Fish.” But it transcends those tentative first steps into the cinematic mainstream by foregoing many … Continue reading →

Peter Weir’s original film — mid-70s mysterious, sensual, creepy, launched Australian cinema in the mid-70s. You simply cannot overstate the importance of this classic import, with its many overtones and subtexts, the first time the world saw actresses like Rachel … Continue reading →