Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Netflixable? The French should have titled “Les orphelins ridicules”

Impressive stunts, car chases and crashes and creative ways of killing compete with a laughable collection of cute action “comedy” cliches in the French thriller “The Orphans” (“Les orphelins”). It’s essentially an Alban Lenoir/ Dali Benssalah “buddy” picture in the … Continue reading

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Classic Film Review: Becoming Brendan Gleeson — “I Went Down” (1996)

The great Irish character actor Brendan Gleeson was a mere lad — a slip of a thing — when he “burst” on the cinema scene in the mid-’90s. Ah, who’re we kidding? He was a great, grand and jolly galoot … Continue reading

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Movie Review: A “Lone Samurai” takes on a Cult of Cannibals

If you’re hell-bent on seeing at least one cast away samurai fights off 13th century cannibals this year, you might as well make it “Lone Samurai.” Writer-director Josh C. Waller’s action picture has polished production values, striking locations and a … Continue reading

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BOX OFFICE: “GOAT” tops “Wuthering,” holds off “I Can Only Imagine 2”

The only new movie to open wide this weekend, the sequel faith-based music drama “I Can Only Imagine 2,” did passable Thursday night numbers and a middling Friday and appears headed towards an $8 million opening weekend. The Sunday audience … Continue reading

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Documentary Review: Paul & Linda in Morgan Neville’s take on the Wings Years — “Man on the Run”

Documentary filmmaker Morgan Neville’s breakthrough film, “Twenty Feet from Stardom,” gave voice to those in the shadows of pop music, the backup singers who made good records great in the ’60s and ’70s. He’d been making music docs for over … Continue reading

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Classic Film Review: Herzog’s Debut Tests Our Patience as We Wait for “Signs of Life” (1968)

It comes as no surprise that the debut feature film of Werner Herzog had madness as its overarching theme. The half a century (and counting) of films that followed 1968’s “Signs of Life” would almost to a one show somebody … Continue reading

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Movie Review: Cho and Jesse, Pyle and Dogs — “All That We Love”

Just when you think you’ve got a performer all figured out, they go out and surprise you with a sweet and sentimental story of love and loss and dogs. Margaret Cho built her career on identity comedy — life as … Continue reading

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Robert Duvall, the “Actor’s Actor” — 1931-2026

The first time I read the phrase “an actor’s actor” about the great Robert Duvall was in the first issue of “American Film” magazine that I subscribed, way back in the Dark Ages when there magazines. It’s not as though … Continue reading

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Netflixable? “A Father’s Miracle”

Let’s see if we can unravel the convoluted lineage of the turgid Mexican melodrama “A Father’s Miracle.” The story of a mentally-disabled man’s unjust imprisonment for an accident that wasn’t his fault, a man locked-up in a police state but … Continue reading

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Movie Review: Love, Sex and Steroids in Affluent Italia — “Love Me, Love Me”

Streaming cinema of the past decade has been littered with wish fulfillment fantasy teen romances. Netflix perfected the formula — affluent settings, carefree partying and hooking up in the clubs, on beaches and in mansions while “my parents are out … Continue reading

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