Monthly Archives: October 2025

Netflixable? Farrell hedges his bets on “Ballad of a Small Player”

Posted on October 31, 2025 by Roger Moore

The latest turn in the twisty, quixotic career of Colin Farrell is a surreal and supernatural gambling tale of one not-quite-posh poseur’s days of reckoning when every debt, every losing streak, every health problem and every crime comes due. “Ballad … Continue reading →

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Movie Preview: Nic Cage is a father trying to understand the powers and tests facing “The Carpenter’s Son”

Posted on October 31, 2025 by Roger Moore

A test of belief faith-based thriller, with Noah Jupe in the title role and Nicolas Cage as The Carpenter. Looks amazing. Nov. 14.

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Movie Review: Yorgos and Emma and Jesse, lost in “Bugonia”

Posted on October 31, 2025 by Roger Moore

The latest from the challenging and celebrated filmmaker Yorgos Lanthimos might be his most on point satire yet. The director of “The Favorite” and “Poor Things” addresses the intellectual disconnect of modern discourse, the impatient and sometimes brusque way the … Continue reading →

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Movie Review: Every Heist needs “The Mastermind” to Plan It

Posted on October 31, 2025 by Roger Moore

Grey skies, a “cool jazz” score and sketchy characters are selling points of “The Mastermind,” a ’70s period piece infused with the “grit” aficionados associate with the films of that benighted decade. It looks the way fall thrillers, even dryly … Continue reading →

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Classic Film Review: Black and White Deadpan from the Golden Age of “Indie” — “Down by Law” (1986)

Posted on October 30, 2025 by Roger Moore

Memory always gets the last cut in editing any beloved classic film we embraced, way back when. I recall the totality of writer-director Jim Jarmusch’s work in his indie make-or-break years, the 1980s — the impromptu road trip to Florida … Continue reading →

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Have you donated to Wikipedia this year?

Posted on October 29, 2025 by Roger Moore

Wikipedia, the secondary/overview font of much of the “knowledge” available on the Internet, is 24 years old this year. Growing pains and legitimate complaints lodged against its “crowdsourced” biographies, histories, science and facts in its early years notwithstanding, it’s endured … Continue reading →

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Movie Review: A San Fran Romance with Wrenching — “Maintenance Required”

Posted on October 29, 2025 by Roger Moore

“Maintenance Required” is a gear-grinding rom-com that tries to blend car repair and romance between two good looking mechanics who meet on an online vintage Ford Bronco restoration forum. That’s not a terrible idea, nor is the notion that Charlotte … Continue reading →

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Movie Review: A Soap Opera’s Season of Intrigues Precede the Famous Painting “Auction”

Posted on October 28, 2025 by Roger Moore

What an immersive byzantine delight the French dramedy “Auction” turns out to be. The latest from writer-director Pascal Bonitzer (“The Young Karl Marx,” and he scripted “Gemma Bovery”) is a playfully malicious peek behind the scenes of big money art … Continue reading →

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Netflixable? “A Woman with No Filter” has some Grievances to Air

Posted on October 28, 2025 by Roger Moore

In the tradition of “A Woman Under the Influence,” “Women on the Verge of a Nervous Breakdown,” “It’s My Turn,” and generations of women coming into their own in films comes “A Woman with No Filter,” a Brazilian comedy that … Continue reading →

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Movie Review: Wahlberg, Key, Lakeith and Shalhoub “Play Dirty” in Shane Black-land

Posted on October 27, 2025 by Roger Moore

Shane Black? Glib one-liners and glib gunplay? Bigger and bigger action, with a bigger and bigger bodycounts? The actor turned writer and writer-director who peaked with “Kiss Kiss, Bang Bang,” made his way to a “comeback” with “The Nice Guys” … Continue reading →

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