Monthly Archives: April 2024

Aaron Eckhart throws himself and some mid-fight grace notes at “The Bricklayer,” another CIA agent brought back in to “fix” a screw-up run amok within and without The Agency. It’s not “The Beekeeper,” but Eckhart commits to the part and … Continue reading →

“Sting” is a solid no-big-stars B-picture thriller about an itsy bitsy spider who gets chatty, then awfully big as it tears through a New York apartment building in the middle of a blizzard. Naturally, it was filmed in Australia. The … Continue reading →

One rarely channel surfs past “Monty Python and the Holy Grail” when it pops up on broadcast or cable TV. Renewing your acquiantance with the funniest movie of 1975 and probably the silliest movie ever made is a guilty pleasure … Continue reading →

Eighty-four years old, sharp as a tack and still damned funny, John Cleese charmed, tickled and regaled a packed house at Greater Orlando’s Enzian Theater last night as a special event for this year’s Florida Film Festival. He talked about … Continue reading →

Decades of co-starring human actors with CGI animated ones in kiddie comedies haven’t exactly produced a new golden age for children’s entertainment. A hit here and there, but nothing you can imagine kids embracing, generation after generation, has been the … Continue reading →

John Cleese’s latest stop on his North American “Catch me while you still can” tour is at the Florida Film Festival, at the Enzian Theater in Maitland (North Orlando). It begins tonight at 8ish with a showing of “Monty Python … Continue reading →

Getting an “Inception Lite” vibe from this May 8 thriller from Apple TV+. Guy comes out of a come with a new life in a new “world” created — he thinks — around him. Who or what is his “real” … Continue reading →

Yeah, I’d say so. But to be fair, I mean, come ON. Note that the paid extras are the only ones keeping it together. And that this is merely the most busted-up sketch of the night. This is a regular … Continue reading →

Some of its power to shock and repel still clings to “Hardcore,” the debut feature by “Taxi Driver” writer turned writer-director Paul Schrader. But as it travels from the conservative Rust Belt just before Reagan and the “Rust” set in, … Continue reading →

“Love, Divided” is a pleasant-enough love-without-first-sight rom-com about two quarelling neighbors who find a connection through a shared wall, one that’s entirely too thin to get the sound muffling job done. He, played by Fernando Guallar, is borderline agoraphobic, a … Continue reading →