Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: Dafoe’s an art thief who goes through some things while trapped “Inside”

Willem Dafoe leads us into madness as a sort of performance art in “Inside,” a simple, austere thriller with a highly-polished sheen. A man, trapped by his greed and artistic/class resentment and passion for that one missing “self portrait” by … Continue reading →

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Movie Preview: “The Little Mermaid”

Here’s the one.

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Movie Review: Adam Driver’s an armed and boring alien visitor in “65”

The sci-fi thriller “65” is a “Twilight Zone” episode that over-explains its set-up and surrenders its punch line, a simple quest narrative that lacks thrills and never makes us invest in it and the first serious miscalculation Adam Driver’s made … Continue reading →

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Movie Preview: A “Wildflower” whose “Special Needs” parents depend on her

Coming of age, growing up with “special” parents. As in “special needs,” people who require their daughter’s help getting through the day. There’s a hint of “CODA” in the set up here. Let’s hope the execution is up to snuff. … Continue reading →

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Netflixable? A South African sex-comedy that reminds us to “Do Your Worst”

South African sex comedies are rare on these cinematic shores. But when you travel “Around the world with Netflix,” you never know what you’ll stumble into. “Do Your Worst” is a laugher about a struggling single actress making bad decisions … Continue reading →

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Movie Review: Jane and Lily, “Moving On” and taking names

“Moving On” is an amusingly edgy geriatric comedy that provides that late career comic duo Jane Fonda and Lily Tomlin with their best star vehicle since “Nine to Five.” The laughs are droll, and unlike the strained “Grace & Frankie” … Continue reading →

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An Oscar night long on Emotion…and long

I like the idea of an Oscars that isn’t hurried. They were still “playing people off” at the 95th Academy Awards, and some needed it. But most did not. Let people finish their thoughts. The laundry list speeches are still … Continue reading →

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Oscars: Best Original Score? “All Quiet on the Western Front” adds another Oscar

That’s more than a few Oscars for this marquee picture from Netflix. A career peak for composer Volker Bertelman, a gracious speech. Is there a “trend” pointing towards a Best Picture upset? Maybe. A lovely, ominous and weighty score. But … Continue reading →

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Oscars: Best Animated Short? “The Boy, the Mole, the Fox and the Horse”

Here’s a win for Apple! “The Boy, the Mole, the Fox and the Horse,” based on a children’s book, a best seller, it was my favorite among the nominees that I saw. The fact that it’s on Apple TV means … Continue reading →

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Oscars: Best International Feature? “All Quiet on the Western Front”

There was a whispering campaign underway a few weeks back that this was actually your Best Picture dark horse. But we’ll have to see about that. Gorgeous film, unfortunate timing, coming so soon after the Oscar-winning epic “1917.” But certainly … Continue reading →

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