Movie Review: Whether you Asked for it or Not, “Ready or Not 2: Here I Come”

And now for something for those who like their comic horror thrillers to deliver “more of the same, please.”

“Ready or Not 2: Here I Come” takes us deeper into the worst “marry money” mistake of a young blonde’s life. Sequel to an also-ran hit of 2019, it’s more violent, with double the blondes — sisters, this time — in bloody peril, more Satanic, less inventive and a lot more repetitive.

Tossing Sarah Michelle Gellar into the villainous mix, along with veteran heavy Kevin Durand and Elijah Wood as the biggest villain of all — the lawyer — is what passes for “fresh.” But after a while, the shooting-and-miss, shooting-and-hitting, stabbing, strangling, bludgeoning and body-exploding (Satan punishes his own) gets to be a drag.

“Here I Come” zooms in on Grace (Samara Weaving), covered in blood, battered and punctured, in front of the burning manor house full of dead in-laws and her new husband. “Ready or Not,” she survived their murderous game of “Hide and Seek,” and now the cops want to know what happened.

Her next of kin — estranged sister Faith (Kathryn Newton of the “Ant-Man” franchise) visits her handcuffed in the hospital, recovering just for a few hours before all hell breaks out all over again.

The High Council which “runs everything” has a leadership vacancy to fill. Their lawyer (Wood) is getting the word out. The aged head of the Danforth clan (horror director David Cronenberg) summons his remaining offspring (Sarah Michell Gellar and Shawn Hatosy), but others in Spain (including character actor Nestor Carbonell), China (Olivia Cheng) and the Desi diaspora in North America (Varun Saranga of TV’s “Wynonna Earp”) will be vying for that seat as well.

The stakes?

“The world will go to hell faster than it already is.”

Hey, when Satanists already run the show, it’s not like a new gilded age is underway.

The two-feuding sisters will have to put aside their differences and team up if they want to dodge the sniper rifle rounds, kanda swords, bazooka shells, daggers and the like wielded by this playing-for-keeps crew of almost a dozen would-be murderers, whose skills range from seasoned to inept.

One thing that bogs the picture down is the constant presentation of “rules,” which are basically exposition delivered in heaping helpings start-to-finish. Competing families can’t kill each other, only the quarry. Blood-oaths have to be taken by each succeeding family member as they step up to replace “hunters” who have fallen before them.

The junky jumble of a narrative limits the location to an ancient Rhode Island mansion/casino-resort with a golf course as a killing field and golf carts as getaway/pursuit vehicles, with lots of laughably convenient weapons turning up at just the right time for hunters and the hunted.

Peripheral characters serve a momentary function and then are dispatched or simply vanish from the story or worse, hang around for the underwhelming over-the-top finale.

Weaving’s character has barely had time to catch her breath from the last trauma when she’s hurled into the new one. She’s learned “the game,” but can’t get her sister to respect her newly-acquired survival skills and can’t cadge a smoke off anybody.

I kept waiting for punchy, profane one-liners that four credited screenwriters never deliver. There is no “I’m here to smoke Virginia Slims and kick ass,” and more’s the pity.

Because while there are a couple of laughs and comical come-uppances, the picture drowns in its own gore. And there’s little satisfying about dispatching villains who fail in their family’s quest to kill Grace and collect the coveted “seat” by simply having them explode.

Rating: R, strong bloody violence, gore, profanity, drug abuse and smoking.

Cast: Samara Weaving, Kathryn Newton, Elijah Wood, Olivia Cheng, Varun Saranga, Nestor Carbonell, Shawn Hatosy, Kevin Durand and Sarah Michelle Gellar

Credits: Directed by Matt Bettinelli-Olpin and Tyler Gillett, scripted by Guy Busick, R. Christopher Murphy, Matt Bettinelli-Olpin and Tyler Gillett. A Searchlight release.

Running time: 1:48

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine
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